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  • Episode 3.6 -- “Gone Quiet”
    The West Wing Scripts/Season 3 2008. 11. 6. 17:32
    THE WEST WING
    "GONE QUIET"
    TELEPLAY BY: AARON SORKIN
    STORY BY: JULIA DAHL & LAURA GLASSER
    DIRECTED BY: JON HUTMAN
    
    TEASER
    
    FADE IN: INT. THE SITUATION ROOM - DAY
    Leo has started talking even before entering the Situation Room. When he does, he faces 
    Nancy, who has been waiting for him.
    
    LEO
    One day, I'm gonna get called to the Situation Room, and it's gonna be good news. We'll 
    have discovered buried treasure, or it turns out there's life on Andromeda, and they think 
    we're doing a good job. When's that day gonna come, Nancy? When's that gonna happen?
    
    NANCY
    Settle down.
    
    They start walking around the room. Everyone else is busy with their computer screens 
    and life size monitors.
    
    LEO
    What do you need?
    
    NANCY
    The Commander of the Pac Fleet has informed us he's lost contact with the U.S.S. Portland, 
    which is a Sea Wolf class sub.
    
    LEO
    What were their orders?
    
    NANCY
    They were on a close-in a week ago. They were supposed to report in yesterday at 1400. They 
    were gonna surface to periscope depth and download and upload deterrence intelligence data.
    
    LEO
    Well, they've gone quiet. They're a submarine.
    
    NANCY
    Sure. Maybe.
    
    LEO
    But?
    
    NANCY
    They usually call in and say they're going quiet.
    
    LEO
    What are the other possibilities?
    
    NANCY
    That they've lost all power and they're drifting aimlessly in hostile waters.
    
    LEO
    What hostle waters?
    
    They walk to a bright computerized map of Korea.
    
    NANCY
    Yeah. The Portland was in the Yellow Sea. Their last location was 60 miles due west of Seoul.
    
    LEO
    We haven't heard from them and they're in North Korea?
    
    NANCY
    Yeah.They walk to another map on the other side.
    
    LEO
    What do we have ready if we need to order a massive and undetectable rescue mission?
    
    NANCY
    They put two DSRVs on alert from Ballast Point, San Diego. Two C-141 Starlifters are on 
    alert at NAS North Island ready to pick up a rescue crew and fittings. They'll meet up 
    with two Fast Attack Sea Wolfs we have stationed off Japan, each carrying 50 Tomahawks. 
    They practice for this all the time, but we shouldn't do it. Not yet.
    
    LEO
    Why not?
    
    NANCY
    'Cause I think they've gone quiet.
    
    LEO
    You said they usually call.
    
    NANCY
    They usually do.
    
    LEO
    I've gotta tell the President.
    
    NANCY
    The President's gonna hit the panic button, Leo. If the Portland went quiet, it's because 
    somebody's sitting on top of them. These guys know what they're doing.
    
    LEO
    I'll be back.
    
    Leo exits.
    
    CUT TO: INT. THE OVAL OFFICE - DAY
    From the portico, we see Bartlet inside his office. He takes off his glasses and looks out 
    the glass door. Inside, Charlie is getting the President's things ready. Bartlet is scheduled 
    for a helicopter ride.
    
    BARTLET
    The propellers aren't going.
    
    CHARLIE
    No.
    
    BARTLET
    They know I want to leave now?
    
    CHARLIE
    Yes, sir.
    
    BARTLET
    The propellers aren't going.
    
    CHARLIE
    Maybe they're saving fuel.
    
    BARTLET
    That makes sense. Also, there's a chance I could get hit getting on or off.
    
    CHARLIE
    [laughs a little] Yeah.
    
    BARTLET
    Excuse me?
    
    CHARLIE
    Sir?
    
    BARTLET
    You think I'm not tall enough to get hit in the neck by the propellers on Marine One?
    
    CHARLIE
    I think Dikembe Mutombo isn't tall enough to get hit in the neck by the propellers on 
    Marine One.
    
    BARTLET
    I duck when I get on that helicopter, and you should, too. It's just good safety sense.
    
    CHARLIE
    Yes, sir.
    
    BARTLET
    They know I want to leave now?
    
    CHARLIE
    Yes, sir.
    
    BARTLET
    Filing day, Charlie. Last to get on the ballot in New Hampshire. [puts jacket on]
    
    CHARLIE
    Yes, sir.
    
    BARTLET
    I'm going myself. Or, I could send an aide.
    
    CHARLIE
    But you're going yourself?
    
    BARTLET
    I'm going myself. Always have, always will.
    
    CHARLIE
    There's nothing left to run for after this.
    
    BARTLET
    Fair enough. Always have, never will. But I'm going myself. You know why?
    
    He throws a book to Charlie, who catches it.
    
    CHARLIE
    It's a statement about democracy?
    
    BARTLET
    It's a profound statement about democracy. Are you mocking me?
    
    CHARLIE
    No, sir.
    
    BARTLET
    The thing before wasn't a crack about my height?
    
    CHARLIE
    No. Yeah, it was.
    
    Charlie helps Bartlet put his coat on. Leo has entered from his office just as Bartlet 
    and Charlie head for the door.
    
    LEO
    You're all set to leave?
    
    BARTLET
    Yes, I am. I'm going myself.
    
    LEO
    It's a profound statement about democracy.
    
    BARTLET
    It's not a problem. I'm up, I'm back. The whole thing takes two hours.
    
    The agent outside opens the door.
    
    LEO
    I think it's great, and I know how much you love doing it.
    
    BARTLET
    I do love doing this. It's one of my all time favorite...
    
    LEO
    Yeah. You can't go.
    
    BARTLET
    Why not?
    
    LEO
    It's one of those things we've talked about that sounds worse than it is because of your 
    inexperience with the military.
    
    BARTLET
    What is it?
    
    LEO
    Okay. The U.S.S. Portland is a Sea Wolf class or a big nuclear submarine.
    
    BARTLET
    Yeah.
    
    LEO
    It has a crew of 137, is loaded down with highly classified intelligence gathering equipment, 
    and is in the waters off North Korea.
    
    BARTLET
    Right.
    
    LEO
    [pause] We don't have it right now.
    
    BARTLET
    What does "we don't have it" mean?
    
    LEO
    Well, as you know, with our ship, our boats, and our submarines, we keep in pretty close 
    touch with radar, sonar, satellites, radio, encrypted messages, and we don't have the 
    Portland right now.
    
    BARTLET
    We don't have it?
    
    LEO
    We do not.
    
    BARTLET
    And they're in North Korea?
    
    LEO
    Yes. Last we heard. So we're gonna set up meetings in the next few hours. Plus, if anything 
    happens, I don't like people to know that you were running for election while the boat was 
    out there.
    
    BARTLET
    [takes coat off] Yeah. I think I'll go ahead and cancel that trip, Leo. If only to stick 
    around to see how this sounds worse than it really is.
    
    LEO
    I'll stick around too.
    
    BARTLET
    I think you will.
    
    As the agent outside closes the door, Bartlet turns and looks out to the helicopter.
    
    SMASH CUT TO: MAIN TITLES.
    END TEASER
    * * *
    
    ACT ONE
    
    FADE IN: INT. C.J.'S OFFICE - DAY
    "I'm Too Sexy" is playing in the background while C.J. sits at her computer. 
    
    CAROL
    Hey, I'm here.
    
    C.J.
    I'm glad. What is this song about?
    
    CAROL
    [stepping into office] This is "I'm Too Sexy."
    
    C.J.
    I know, for his shirt, he's too sexy.
    
    CAROL
    Other things, too.
    
    C.J.
    He lists them.
    
    CAROL
    Yeah, well, I think he's feeling good, I think he's feeling sexy.
    
    C.J.
    *Too* sexy.
    
    CAROL
    I think it's the kind of thing where someone says "Oh, this is just too good."
    
    C.J.
    A hyperbole.
    
    CAROL
    Yeah.
    
    C.J.
    So, it's not a problem. It's not a song about somebody having a problem.
    
    CAROL
    No. He's feeling good, that's why he's singing.
    
    C.J.
    Okay.
    
    Carol starts out of office.
    
    CAROL
    You see the wires?
    
    C.J.
    Not yet. Is there anything?
    
    CAROL
    [sticking head back in] No. The majority leader was doing local news in Cleveland last 
    night and they asked him why he wants to be President.
    
    C.J.
    What did he say?
    
    CAROL
    I really don't know.
    
    C.J.
    Wait a second. Are you telling me he got the question and he-
    
    CAROL
    It was a train wreck. I recognized all the words, but-
    
    C.J.
    Get me the transcripts.
    
    CAROL
    Yeah.
    
    Carol leaves, and C.J. dances.
    
    CUT TO: INT. THE SITUATION ROOM - DAY
    Bartlet and Leo enter.
    
    SOLDIER
    Ten-Hut!
    
    All military officers stand, then sit as Bartlet sits.
    
    BARTLET
    Where's the damn submarine, Nancy? I don't want to hear I don't know, I want to hear how 
    many people are out there swimming around looking for it.
    
    NANCY
    See, and I thought you were going to panic, sir.
    
    LEO
    [sitting] Nancy, I happen to agree with the president who, on military matters, by the way, 
    is a lot smarter...
    
    BARTLET
    Shut up.
    
    LEO
    Yeah.
    
    BARTLET
    How long can the crew survive down there?
    
    NANCY
    Well, we really don't know what's going on.
    
    NAVAL OFFICER
    You want worst case scenario?
    
    BARTLET
    Yes.
    
    NAVAL OFFICER
    If they're flooding, it could be a matter of hours.
    
    BARTLET
    How close are these guys to landfall?
    
    NANCY
    They about four thousand yards off the southern coast of Haesong in the Haeju Bay.
    
    BARTLET
    [incredulous] Four thousand yards? They get that close?
    
    NANCY
    Yes, sir, they set a wire tap on a cable in North Korea's coastal operations zone.
    
    BARTLET
    [looking at Leo] Four thousand yards?
    
    LEO 
    [nodding] Yeah.
    
    BARTLET
    Can they send a distress signal?
    
    LEO
    They can, but they won't if they think they'll be detected.
    
    BARTLET
    They would wait to send a distress signal and risk their lives?
    
    NANCY
    Mr. President, submariners understand that if they sink, it won't be a rescue, it'll be 
    a recovery. They measure risk and rewards not just in terms of their own lives, but in 
    terms of National Interest.
    
    BARTLET
    Well, that's great. I assess the national interest by the number of people alive, not dead. 
    You have four hours before I order the Pacific Fleet into Haeju Bay. 
    
    Bartlet stands. Others follow suit.
    
    MILITARY OFFICERS
    Thank you, sir.
    
    NANCY
    Thank you, Mr. President.
    
    Bartlet and Leo leave, walking through the HALLWAY.
    
    LEO
    We need to weigh in with somebody at State.
    
    BARTLET
    I agree.
    
    LEO
    Yes.
    
    BARTLET
    Is Peter still recovering?
    
    LEO
    Yes.
    
    BARTLET
    All right. We'll talk to someone else. Someone we trust.
    
    LEO
    Yes.
    
    BARTLET
    Anybody but...
    
    LEO
    Albie Duncan.
    
    BARTLET
    Anybody but him.
    
    LEO
    No, I'm saying it's gotta be Albie Duncan
    
    BARTLET
    Why? 
    
    They reach a staircase, start to climb it.
    
    LEO
    Because he knows what he's talking about.
    
    BARTLET
    So does Peter.
    
    LEO
    Peter's recovering from heart surgery.
    
    BARTLET
    [flustered] Was it... I don't... Was it major heart surgery? 
    
    They reach top of stairs and continue down the hallway.
    
    LEO
    We've gotta meet with Albie.
    
    BARTLET
    He's gonna scold me. He's been at the State Department since Truman. He thinks I'm a kid 
    and that he outranks me.
    
    LEO
    You'll be fine.
    
    BARTLET
    I've gotta tell him I lost a submarine. Can I make something up, like "say, a friend of 
    mine hypothetically..."
    
    LEO
    We'll meet with him as soon as he can get here.
    
    BARTLET
    Bring a copy of the constitution. I'm gonna show him I'm not scared.
    
    They enter an office, passing Bruno and Connie, and stop.
    
    BRUNO
    Good morning.
    
    LEO
    Hey Bruno. Hey Connie.
    
    BARTLET
    Hey, Bruno, can you devise a campaign strategy that involves beating the crap out of Leo?
    
    BRUNO
    Why not?
    
    CONNIE
    Yeah.
    
    Leo and Bartlet continue walking. We follow Connie and Bruno into THE ROOSEVELT ROOM.
    Sam is waiting at the table.
    
    BRUNO
    Okay, let's get started. Where's Toby?
    
    SAM
    [looking up at Bruno] He's in the...
    
    BRUNO
    I don't care. [pulls papers out of his briefcase] These are direct mail leaflets. 
    [drops leaflets on table] "Bartlet: Hopelessly Lieberal"; "Bartlet: Super-Liberal"; 
    "Bartlet: Liberal, Liberal, Liberal."
    
    Sam picks one up, it has Bartlet's face with a big, red 'X' over it.
    
    SAM
    These aren't coming from our side, right?
    
    BRUNO
    No.
    
    SAM
    You want to run an ad?
    
    BRUNO
    The most dangerous time in an incumbent's campaign is before there's opposition.
    
    CONNIE
    Plus, the hearings are just around the corner.
    
    BRUNO
    There's a stealth war going on. Leaflets, flyers, phone trees...
    
    SAM
    How much is is going to cost?
    
    BRUNO
    One million five for this one. But, in the next three months, I'll need another eight 
    million for new ads and air time.
    
    SAM
    Work up an ad for sixty bucks and a waffle and we'll talk.
    
    CONNIE
    Sam...
    
    SAM
    We're gonna need that money in Iowa in nine weeks.
    
    CONNIE
    If we don't spend it now, we're going to have problems in Iowa.
    
    SAM
    We don't even know if there's a challenger yet.
    
    CONNIE
    If there is, we'd like to scare him off.
    
    SAM
    And you don't think the best way to do that is to keep the war chest intact?
    
    BRUNO
    [smiling] Ah hah. You're talking about hard money.
    
    SAM 
    [confused] Yeah, I'm talking about hard money, what are you talking about?
    
    Bruno holds up a leaflet and lays it on the table. Before he can speak, Toby enters.
    
    TOBY
    Excuse me.
    
    SAM
    Listen, Toby...
    
    TOBY
    What does one hundred and five million dollars mean to you?
    
    SAM
    What do you mean?
    
    TOBY
    I just got tipped that the new budget will include an additional one hundred and five 
    million dollars for the National Park Service, and that number means something, and I 
    can't remember what!
    
    SAM
    I don't know.
    
    TOBY
    Anybody?
    
    CONNIE
    No.
    
    SAM
    Listen-
    
    TOBY
    [heading out the door] Just give me a few minutes, I'll be back. 
    
    Toby exits into the HALLWAY. He stops Ginger.
    
    TOBY
    Does one hundred and five million dollars mean anything to you?
    
    GINGER
    [walking away] I'm a simple girl, Toby.
    
    TOBY
    [stunned] Yes, yes you are.
    
    Toby walks into the COMMUNICATIONS OFFICE. Bonnie is standing near one of the desks.
    
    TOBY
    Bonnie? One hundred five million?
    
    BONNIE
    My answer hasn't changes since the last time you asked me.
    
    C.J. breezes into the bullpen.
    
    C.J.
    Toby...
    
    TOBY
    [looking a bit worried] C.J.?
    
    C.J. 
    [dancing and singing towards Toby] I'm too sexy for my shirt, too sexy for my skirt, 
    too sexy... for the other...things.
    
    TOBY
    What in God's name...
    
    C.J.
    [ecstatic] He got the question.
    
    TOBY
    Who?
    
    C.J.
    The majority leader.
    
    TOBY
    When?
    
    C.J.
    [grinning] Last night. Local news, Cleveland, Ohio. Oh-mio, oh-my-oh, Oh Cleveland Ohio! 
    He got the question!
    
    BONNIE
    What's the question?
    
    TOBY
    Why do you want to be President?
    
    BONNIE
    And what did he say?
    
    C.J.
    "The reason I would run, were I to run, is I have a great belief in this country as a 
    country, and in this people as a people, that go into making this country a nation with 
    the greatest natural resources and people, educated people."
    
    C.J. puts up her hands and imitates a shotgun firing.
    
    TOBY
    I'll spread it around.
    
    C.J.
    [singing and dancing back out of the bullpen] I'm too sexy for my shoes, too sexy for the 
    blues, too sexy...
    
    TOBY 
    C.J.!
    
    C.J.
    [stopping and looking at Toby] Yeah?
    
    TOBY
    The new budget's going to have an additional one hundred and five million or the Park 
    Service, does one hundred and five million mean anything to you?
    
    C.J.
    [leaving] No, except it's the same amount as the budget for the National Endowment 
    for the Arts.
    
    TOBY
    [going into his office] Yeah. [exits his office, looking at Bonnie] Get me...
    
    BONNIE
    I'll get her on the phone.
    
    Bonnie starts to dial.
    
    CUT TO: INT. OFFICE OF THE WHITE HOUSE COUNSEL - DAY
    Oliver walks inside his office. Abbey is waiting for him, sitting in a wheelchair with a 
    cast on her left leg.
    
    OLIVER
    Why, Dr. Bartlet.
    
    ABBEY
    Don't start with me, Oliver.
    
    OLIVER
    Don't start with what?
    
    ABBEY
    All right. If you want to give me grief about my ankle, do it quickly, get it over with, 
    so we can move on with this rectal probe. 
    
    OLIVER
    Do you know why I call you Doctor Bartlet?
    
    ABBEY
    Because I have a medical license?
    
    OLIVER
    Because you have a medical license. And because, when I look at you, I think about health. 
    Goodness, what happened to your ankle, Dr. Bartlet?
    
    ABBEY
    I broke it. Otherwise, I'd be ramming it up your-
    
    OLIVER
    [moving behind his desk] How'd you break it?
    
    ABBEY
    It was in the newspapers, I'm sure you read about it.
    
    OLIVER
    I read Le Monde. Was it in Le Monde?
    
    ABBEY
    I don't know. I don't read Le Monde.
    
    OLIVER
    Pity.
    
    ABBEY
    I was hiking, Oliver, I was hiking. Are you really that much an enemy of nature?
    
    OLIVER
    Nature is to be protected from. Nature, much like a woman, will seduce you with its sights, 
    its scents and its touch. And then it breaks your ankle. Also like a woman.
    
    ABBEY
    What the hell kind of dates are you going on, Oliver?
    
    OLIVER
    [sitting] I hear ya.
    
    ABBEY
    Yeah.
    
    OLIVER
    But here's what I think you should do, Dr. Bartlet. I'm speaking to you as White House 
    Counsel to First Lady. I want you to make a national address encouraging women not to 
    go hiking. Or at least, not to ask me to go with them.
    
    ABBEY
    Do we get to work?
    
    OLIVER
    [opening a file and reading from it] Jonathan Hawking, Nina Alva, Maurice Bluestein, 
    Jessica Nording. Do these names mean anything to you?
    
    ABBEY
    [nervous] Where'd you get them?
    
    OLIVER
    Democrats on Oversight.
    
    ABBEY
    They're on the witness list?
    
    OLIVER
    Yeah.
    
    ABBEY
    Those are some patients involved in malpractice suits against me.
    
    OLIVER
    How many were there altogether?
    
    ABBEY
    [thinking] Four were immediately dismissed as nuisance suits. I went to court on two and won, 
    one was settled. It's the life of a doctor.
    
    OLIVER
    Fromt his witness list, it is becoming clear to me what the President's biggest liability 
    is going to be.
    
    ABBEY
    What?
    
    OLIVER
    You.
    
    FADE OUT.
    END ACT ONE
    * * *
    
    ACT TWO
    
    FADE IN: INT. THE MURAL ROOM - DAY
    Toby walks in the room. TAWNY CRYER, member of the Appropriations Committee, waits for him.
    
    TOBY
    Tawny. 
    
    TAWNY CRYER
    "Throne," by Rain Billings, a photographer from North Dakota whose work consists of Polaroids 
    of his dysfunctional family in the bathroom. 
    
    TOBY
    Yes. 
    
    TAWNY
    "One Horse, Two Horse," by Mark Maloney. He calls himself an installation artist. 
    
    TOBY
    Did your committee... 
    
    TAWNY
    What it is is two big-screen TVs side by side, one of them with footage of black stallions 
    running in reverse, the other one showing "The Godfather." 
    
    TOBY
    Tawny... 
    
    TAWNY
    "Slut" is a one-word poem by Jules Woltz. It's stamped in scarlet on a piece of 40 by 40 
    black canvas. Here's a woman who gets naked, covers herself completely in chocolate, and 
    sings. Does that appeal to you? 
    
    TOBY
    By and large, I'm not wild about musicals. 
    
    TAWNY
    They're all projects funded by Oakenwood during his chairmanship of the Endowment. 
    
    TOBY
    You're dissolving the Endowment to give more money to national parks? 
    
    TAWNY
    "Hold the Lettuce." Lydia Benedict's two bacon cheeseburgers were constructed from pieces 
    of burlap and Rottweiler dung. It's not me, it's the committee I work for. 
    
    TOBY
    Look... 
    
    SAM [knocking]
    Excuse me. Hey, Tawny. 
    
    TAWNY
    Sam, have you heard of Andrew Hawkins? 
    
    SAM
    No. 
    
    TAWNY
    You funded his performance piece recently, which involved him destroying all his belongings 
    outside a Starbucks in Haight-Ashbury. 
    
    SAM
    I've done that a couple of times. But I didn't know there was funding available. 
    
    TAWNY
    Yeah. 
    
    SAM
    Can I talk to you a second? 
    
    TOBY
    Yeah. 
    
    Sam and Toby step into the HALLWAY.
    
    SAM
    What's going on? 
    
    TOBY
    Appropriations wants to eliminate the NEA. What's going on in there? 
    
    SAM
    He thinks it's time to run ads. 
    
    TOBY
    With what? 
    
    SAM
    Soft money. 
    
    TOBY
    All right, I'll be in when I can. 
    
    SAM
    You know what? The NEA. That's 105 million. 
    
    TOBY
    Yeah. 
    
    Sam goes back to the Mural Room. C.J. comes up to him, snapping her fingers. 
    
    C.J.
    Sam. 
    
    SAM
    Yeah? 
    
    C.J.
    Did you hear? 
    
    SAM
    What? 
    
    C.J.
    The Majority Leader got the question last night. 
    
    SAM
    And? 
    
    C.J. puts her hands to her own throat and makes a choking noise. 
    
    SAM
    Give me the transcript. 
    
    C.J.
    Yeah, listen... 
    
    SAM
    I gotta get back... 
    
    C.J.
    We've got an answer, right? 
    
    SAM
    To what? 
    
    C.J.
    If he's asked why he wants to be President, we've got a good answer. 
    
    SAM
    I'm...I'm sure we do. I've gotta get back in there. 
    
    C.J.
    I'm...too sexy...
    
    CUT TO: INT. OFFICE OF THE WHITE HOUSE COUNSEL - DAY 
    
    OLIVER
    Arlene Niederlander.
    
    ABBEY
    She's the wife of a patient upon whom I performed a coronary artery bypass graft. She filed 
    a wrongful death suit claiming he died as a result of complications due to surgery. 
    
    OLIVER
    Did he? 
    
    ABBEY
    He developed an infection, like 2% of CABG surgeries, in his case, mediastinitis. He was 74, 
    diabetic, and the infection spread to his liver. New York Superior Court Judge Nguyen 
    dismissed the case. Oliver, draw a line for me from the malpractice suits to the Committee's 
    investigation of the President. 
    
    OLIVER
    It's an investigation of you too, Abbey. You had prescriptions filled in your own name, 
    which you administered daily to the President. 
    
    ABBEY
    But that in itself... 
    
    OLIVER
    Hang on - you're not a medical expert, you didn't keep records, you have violated medical 
    practices in three states, and most important, you're his wife, which is a violation of 
    the AMA's code of ethics. 
    
    ABBEY
    How is this the purview of House Government Reform and Oversight? 
    
    OLIVER
    It's not. 
    
    ABBEY
    They don't have a criminal case against the President, do they? 
    
    OLIVER
    No. 
    
    ABBEY
    They can develop one against me. 
    
    OLIVER
    Yeah. 
    
    ABBEY
    And in going after me, they can taint the President. 
    
    OLIVER
    Sure. 
    
    ABBEY
    Distract him from governing. Distract the public's attention from the campaign. 
    
    OLIVER
    Yeah. 
    
    ABBEY
    It was an infection. It was a liver infection. 
    
    OLIVER
    Should we keep going? 
    
    ABBEY
    Yeah.
    
    CUT TO: INT. THE ROOSEVELT ROOM - DAY 
    Sam, Bruno and Connie are meeting.
    
    SAM
    You know what we're talking about, here? 
    
    BRUNO
    Sure.
    
    SAM
    Do you know what we're talking about, here? 
    
    BRUNO
    She knows what we're talking about. 
    
    SAM
    I wanna make sure Connie knows what we're talking about. 
    
    CONNIE
    I know what we're talking about. 
    
    SAM
    Fine.
    
    CONNIE
    Sam. 
    
    SAM
    Yeah? 
    
    CONNIE
    You know what we're talking about, right? 
    
    SAM
    We're talking about unlimited, unregulated money that can be raised in staggering amounts. 
    
    CONNIE
    Yes. 
    
    SAM
    Understand, it's not like there's a law that envisions soft money - it's just that there's 
    no law that specifically bans it. It's a loophole so big you could race the America's Cup 
    through it. How can the President be opposed to soft money one year and take it the next? 
    Where's he gonna be on campaign finance reform tomorrow? 
    
    BRUNO
    Exactly where he is today: leading the charge against it. In the meantime, Congress and the 
    FEC have been sitting on their hands. Is that our fault? 
    
    CONNIE
    No. 
    
    BRUNO
    So now Bartlet's supposed to obey a law that doesn't exist? What's next - imaginary street signs? 
    
    SAM
    Excuse me, but there's such a thing as... 
    
    BRUNO
    What? 
    
    SAM
    There's... such a thing as... 
    
    BRUNO
    What? 
    
    SAM
    Okay, I'm gonna sit quietly for a moment. 
    
    BRUNO
    Okay. 
    
    SAM
    Leadership by example. There's such a thing as leadership by example. 
    
    BRUNO
    Yeah, it comes right before getting your ass kicked in an election. 
    
    SAM
    They're really talking about this, huh? 
    
    BRUNO
    Mmm hmm. 
    
    SAM
    Toby's gonna be in on it.
    
    CUT TO: INT. THE OVAL OFFICE - DAY 
    
    BARTLET
    Every single election...
    
    LEO
    Yes. 
    
    BARTLET
    Legislature, house, governor. 
    
    LEO
    Yeah. 
    
    BARTLET
    President. 
    
    LEO
    Yeah. It's a statement about democracy. I've heard it before, I was just... 
    
    CHARLIE
    Sir? 
    
    BARTLET
    Is he here? 
    
    CHARLIE
    Yes, sir. 
    
    BARTLET
    Okay. It's a profound statement about democracy. 
    
    The assistant secretary of state, ALBIE DUNCAN, invites himself in.
    
    ALBIE DUNCAN
    Mr. President? 
    
    BARTLET
    Good morning, Albie. 
    
    ALBIE
    Good morning, hello Leo. 
    
    LEO
    Good to see you, Albie. 
    
    BARTLET
    Can I get you anything? 
    
    ALBIE
    No, sir. 
    
    BARTLET
    Coffee? Soft drink? 
    
    ALBIE
    No, sir. 
    
    BARTLET
    Okay. Okay. I've asked you here, Albie, because you're the assistant Secretary of State and I, 
    of course, am the President. 
    
    ALBIE
    What have you done? 
    
    BARTLET
    See, right away... 
    
    LEO
    Don't worry about it. Albie, the Pac Fleet commaders informed us that we've lost contact 
    with the Portland. 
    
    ALBIE
    The Portland's a Seawolf Class? 
    
    LEO
    Yeah 
    
    ALBIE
    Where is it? 
    
    BARTLET
    Lake George. 
    
    LEO
    Somewhere in Haeju bay. 
    
    ALBIE
    You've lost a nuclear submarine in North Korea, Mr. President. 
    
    BARTLET
    Thanks, Albie. That much, the National Security Council has made clear to me. 
    
    ALBIE
    Any chance they've gone quiet? 
    
    LEO
    Nancy thinks there is. 
    
    ALBIE
    I'm assuming they didn't radio. 
    
    LEO
    No. 
    
    BARTLET
    And if they were in trouble, you see, they wouldn't send a distress signal 'cause they might 
    be detected and submariners have a different set of criteria when assessing risk versus reward. 
    
    LEO
    He knows. 
    
    BARTLET
    Okay, I'll just stand over there. 
    
    ALBIE
    Where are we? 
    
    LEO
    The president wants to give four hours before a rescue. We're an hour into it. 
    
    ALBIE
    All the pieces in place? 
    
    LEO
    Yeah. Who we talk to in the meantime? 
    
    ALBIE
    Nobody. 
    
    LEO
    You're sure? 
    
    ALBIE
    Yes! 
    
    LEO
    We don't talk to the North Koreans? 
    
    ALBIE
    And tell 'em what? You've got causus belli? 
    
    BARTLET
    Cause for war. Little thing called Latin. Albie, if we tell North Korea we've violated their 
    waters it could be interpreted as an act of war? 
    
    ALBIE
    It is an act of war. 
    
    BARTLET
    We tell 'em it's not. 
    
    ALBIE
    It is! You've violated international law. You've taken provocative action. At best, you'll be 
    creating a crisis atmosphere and North Korea's got the 4th largest army in the world. 1968, 
    the USS Pueblo is on an intelligence mission off the DPRK. North Korea attacks with vessels 
    and a MIG jet. The 82 surviving crew are captured. They're held and tortured for 11 months, 
    until we issue an apology for the grave acts of espionage committed by the US ship. I was there. 
    
    BARTLET
    Okay. [to Leo] Can I talk to you alone for a second? 
    
    LEO
    Yeah. 
    
    BARTLET
    Let's not call North Korea just yet. 
    
    LEO
    No. 
    
    BARTLET
    Leo. Gut feeling. Has the boat gone quiet? 
    
    LEO
    Yeah. Trust the captain, trust the crew. 
    
    BARTLET
    All right. Three more hours. 
    
    LEO
    I think he should stay. 
    
    BARTLET
    Who? 
    
    LEO
    Albie. He can talk us through some things, and if we need to start making calls, he'll be helpful. 
    
    BARTLET
    Also, he'd be good to have around for morale, 'cause he's Mr. Happy Fun Guy. 
    
    LEO
    Look... 
    
    BARTLET
    Albie. I'm gonna ask you to stay around for a while. 
    
    ALBIE
    Well, then I'll take that soft drink now, if you've got it, Mr. President. Just a little 
    Schweppes' Bitter Lemon on ice with a twist. 
    
    BARTLET
    Charlie! 
    
    CHARLIE
    Yes, sir. 
    
    BARTLET
    Charlie, could you have someone bring some Schweppes' Bitter Lemon and the Constitutional 
    Order of Succession, please? 
    
    CHARLIE
    Yes, sir.
    
    FADE OUT.
    END ACT TWO
    * * *
    
    ACT THREE
    
    FADE IN: INT. JOSH'S OFFICE - DAY
    While Josh dictates, Donna writes on her notepad.
    
    JOSH
    [groans] New paragraph. As always, your thoughtfulness is greatly appreciated. Also appreciated 
    was the visit to the White House by some fifty of your constituents on board a bus that was 
    chartered by your office. Their complaints were respectfully heard by my assistant and I regret 
    that matters escalated to the point where she felt it necessary to call in the Park Police. 
    You'll be happy to know that their bus has been refueled and that the seniors are on their 
    way home, each having been allowed to keep their security tags as a souvenir. 
    
    DONNA
    Look... 
    
    JOSH
    Signed... 
    
    DONNA
    I was just... 
    
    JOSH
    Do it. 
    
    C.J.
    Excuse me. 
    
    JOSH
    Hey.
    
    C.J.
    You got a second? 
    
    JOSH
    [to Donna] Type that.
    
    DONNA
    Look, I was just...
    
    JOSH
    Type it. 
    
    DONNA
    May I use your computer? 
    
    JOSH
    What's wrong with yours? 
    
    DONNA
    One of them poured Wheatena on the keyboard. 
    
    JOSH
    Go ahead. 
    
    He and Donna have an uncomfortable-looking exchange of locations. Josh goes out into the HALLWAY. 
    
    JOSH
    We had a little problem earlier. What's up? 
    
    C.J.
    The Majority Leader got the question last night. 
    
    JOSH
    Yeah. And he just kept on diggin'. 'We have the greatest technolgy of any people of any country 
    in the world along with the greatest--not the greatest, but very serious problems confronting 
    our people, and I want to be President in order to focus on these problems in a way that uses 
    the energy of our people to move us forward, basically.' 
    
    C.J.
    Yes. 
    
    JOSH
    It's the basically that makes it art. 
    
    C.J.
    Listen, the best thing we can do is to take a step back. We can't be seen to be gloating. 
    
    JOSH
    Sure, yeah. We, we do that when nobody's looking. 
    
    C.J.
    Okay 
    
    JOSH
    Anything else? 
    
    C.J.
    No.
    
    JOSH
    Poured Wheatina on her keyboard.
    
    C.J.
    Listen - How good is our answer? 
    
    JOSH
    Oh, it's good. 
    
    C.J.
    Really? 
    
    JOSH
    Yeah. 
    
    C.J.
    What is it? 
    
    JOSH
    Do we have one? 
    
    C.J.
    Josh! 
    
    JOSH
    I'm sure we have one. 
    
    C.J.
    Will you check? 
    
    JOSH
    Yeah 
    
    C.J.
    Will you check today? 
    
    JOSH
    Yeah. 
    
    C.J.
    Thank you! 
    
    JOSH
    Okay.
    
    CUT TO: INT. THE MURAL ROOM - DAY
    
    TAWNY
    No. The problem is that Oakenwood thinks that the mission of the NEA is to subsidize artists 
    in this country. 
    
    TOBY
    The mission of the NEA IS to subsidize artists in this country. 
    
    TAWNY
    Oh, then that's the problem. 
    
    TOBY
    In fact, it's not to subsidize artists - it's to subsidize art. 
    
    TAWNY
    Go ahead and explain that distinction in Topeka.
    
    TOBY
    Well, they're pretty bright in Topeka. None of the artists you mentioned ever received any 
    direct money from the Endowment. Why? Because the last time the Republicans tried to lose 
    the NEA - not three times ago, but the last time - we got rid of the individual grants! 
    
    TAWNY
    And your friend Oakenwood found a back door by giving money directly to the museums that 
    put on... Toby, do you like this stuff? 
    
    TOBY
    Tawny, you'd need the Budweiser Clydesdales to drag my ass to Picasso and Monet! I'm not the 
    guy you want deciding this! And you're not the guy I want deciding this! And I don't know 
    where you get the idea that taxpayers shouldn't have to pay for anything of which they 
    disapprove. Lots of 'em don't like tanks. Even more don't like Congress. 
    
    SAM
    Hi. 
    
    TAWNY
    Lisa Mulberry, 28, specializes in placing genitalia in anatomically incorrect... 
    
    Toby makes a loud indescribable noise of frustration.
    
    SAM
    Excuse us. 
    
    TAWNY
    Sure. 
    
    Toby meets Sam outside.
    
    TOBY
    Look, we can't spend soft money on a primary ad anyway, so... 
    
    SAM
    No, he's passing the magic words test. 
    
    TOBY
    What magic words test? 
    
    SAM
    The US Supreme Court, Buckley v. Valeo. The court created a loophole by ruling only apply 
    to communications that in express terms advocate the election or defeat of a clearly-identified 
    candidate for federal office.
    
    CUT TO: INT. THE ROOSEVELT ROOM - DAY 
    
    BRUNO
    You don't put "vote Bartlet" in the ad, you can pay for it with unmarked bills from a bank 
    heist if you want to. 
    
    CONNIE
    And we should know. There's also footnote 52, where the Court said campaign-finance laws only 
    apply to communications with the terms "vote for," "elect," "support," "cast your ballot for," 
    "Smith for Congress," "vote against," "defeat," "reject," and that's it. [pause] I'm savant-like. 
    
    TOBY
    If it doesn't use those specific words... 
    
    BRUNO
    It is an issue ad. 
    
    CONNIE
    You know what they say about money and politics. 
    
    SAM
    No. 
    
    CONNIE
    It's like water on pavement 
    
    SAM
    Why is like water on pavement? 
    
    CONNIE
    That's a good... 
    
    BRUNO
    It finds every crack and crevice. 
    
    SAM
    The standard ought to be, does the ad try to influence the outcome of the election? If so, you 
    can't use soft money, period. 
    
    BRUNO
    Well, zippity-do-dah, Sam. 
    
    SAM
    Excuse me? 
    
    BRUNO
    That isn't what the standard is. And I think we should run in the same election as everybody else. 
    
    SAM
    Toby? 
    
    TOBY
    I've gotta go back in there. When I come back, show me an ad without the magic words.
    
    CUT TO: INT. OFFICE OF THE WHITE HOUSE COUNSEL - DAY
    
    OLIVER
    Francis Pendleton.
    
    ABBEY
    Frank.
    
    OLIVER
    This was the case you settled? 
    
    ABBEY
    Yeah.
    
    OLIVER
    58 thousand dollar payout from SVM Mutual. 
    
    ABBEY
    Mmm hmm. 
    
    OLIVER
    Why didn't that come out in the campaign? 
    
    ABBEY
    There was a confidentiality clause. No one would know that figure unless they subpoenaed the 
    Pendleton settlement papers. 
    
    OLIVER
    They did. You performed an atreo-ventricular canal repair on... 
    
    ABBEY
    Is there a deal to be made? Is there? Oliver, I raise my right hand, they're halfway to where 
    they wanna be. Is there a deal? 
    
    OLIVER
    I can't say they're guaranteed to be interested. 
    
    ABBEY
    But they might be. 
    
    OLIVER
    If they felt putting you on the stand was too big a risk. 
    
    ABBEY
    Why would it be a risk for them? 
    
    OLIVER
    You know the story of the desperate man who breaks into the pharmacy to get medicine for 
    his wife? 
    
    ABBEY
    A life is saved. A window's broken. 
    
    OLIVER
    Right. 
    
    ABBEY
    And I get to pay to have it fixed. 
    
    OLIVER
    So they might be interested. 
    
    ABBEY
    What would they want? 
    
    OLIVER
    At best? 
    
    ABBEY
    Start with at worst. 
    
    OLIVER
    At worst. 
    
    ABBEY
    Yeah. 
    
    OLIVER
    Suspended jail sentence of three to five years. 
    
    ABBEY
    All right, what's the one right above that?
    
    CUT TO: INT. THE OVAL OFFICE - DAY
    
    ALBIE
    USS Glowmar, top secret debacle. Project Jennifer. Glowmar goes after Clementine, the sunken 
    Russian Golf six feet a minute, that's how fast we pulled her up, then all of a sudden, BLAM! 
    Her claw breaks in two, the Golf dangles loose, one sub from another, steel ripping off, 
    everything we needed, including its nuclear missle, its transmitters, its code books, 
    everything, gone. The USS Gudgeon, 1957. Eight Soviet ships caught her, kept her cornered 
    for four days. Oxygen depletion, fainting, migraines, couldn't cook, couldn't light a cigarette. 
    
    LEO
    They smoke in subs? 
    
    ALBIE
    They used to. The Oklahoma. The Hornet. The Lexington, a CV 2. The USS Wasp. The Wasp is a CV 7 
    out in the Solomon Islands... 
    
    Bartlet bangs his head a few times on his desk. Leo and Albie turn to look.
    
    BARTLET
    Oh, God, I'm sorry, am I still here? 
    
    ALBIE
    You lost your boat in the wrong part of the world, there, Mr. President. 
    
    BARTLET
    I haven't lost the boat yet, Mr. Secretary, and I happen to be the only one in the building 
    who thinks we should be sending the fast attack subs right now. And I'm an hour from 
    gathering the NSC and calling Japan. 
    
    ALBIE
    I'm sorry, I wasn't listening. I say, you lost your boat in the wrong part of the world 
    there, Mr. President. 
    
    BARTLET
    Leo... 
    
    LEO
    Albie... 
    
    BARTLET
    There was a UN action, Mr. Secretary. Sixteen countries were involved in that police action, 
    Mr. Secretary. Thirty-three, thirty-four thousand American dead. How come we're the only ones 
    still fighting? Where did everybody go? 
    
    ALBIE
    Well, Columbia's fighting a drug war, Ethiopia's trying to feed itself, Belgium and the 
    Netherlands, well, they've got cheese and chocolate to make, I suppose... 
    
    CHARLIE
    [knocks] Sir? 
    
    BARTLET
    Yeah. 
    
    CHARLIE
    Josh. 
    
    BARTLET
    Send him in. 
    
    JOSH
    Good afternoon, sir. 
    
    BARTLET
    Hey, Josh. 
    
    ALBIE
    Joshua. 
    
    JOSH
    Good afternoon, Mr. Secretary. Anything going on I should know about? 
    
    LEO
    We're just catching up. 
    
    JOSH
    This can wait for another time. 
    
    BARTLET
    No, give it to me now. I want a distraction. 
    
    JOSH
    No, it's all right sir. 
    
    BARTLET
    Give it to me. 
    
    JOSH
    It's campaign-related. 
    
    BARTLET
    That's okay. 
    
    JOSH
    Well, the, uh Majority Leader got the question last night. 
    
    LEO
    He tanked. 
    
    JOSH
    Yeah, and we're starting to put together an answer for when you get it. 
    
    BARTLET
    The question? 
    
    JOSH
    Why do you want to be President? 
    
    BARTLET
    [without hesitation] I don't. 
    
    JOSH
    Well, we'll put that in the hopper and show you a draft. 
    
    BARTLET
    Good. 
    
    JOSH
    Thank you, Mr. President. [leaves] 
    
    BARTLET
    Leo. 
    
    LEO
    Fifty-five minutes.
    
    FADE OUT.
    END ACT THREE
    * * *
    
    ACT FOUR
    
    FADE IN: INT. C.J.'S OFFICE - DAY
    Josh and C.J. are brainstorming for their answer to the question. Donna is with them. 
    
    JOSH
    This is a time of dizzying change and progress around the world. I'm running for re-election 
    'cause I want to make sure that all our people can share in 21st century jobs-- 
    
    C.J.
    Jobs and industries we can't even imagine today...bring the benefits of new medical 
    advancements to all our families-- 
    
    JOSH
    And harness new technology and the internet as a force for faster economic growth-- 
    
    C.J.
    Better education and a freer exchange of ideas around the world. 
    
    JOSH
    Yes. 
    
    C.J.
    There it is. 
    
    JOSH
    That's fine. 
    
    Donna blows a raspberry. 
    
    DONNA
    Hmm. 
    
    JOSH
    You wanna say something? 
    
    DONNA
    No. 
    
    JOSH
    I thought it was-- 
    
    Donna blows another raspberry.
    
    JOSH
    It's got crisp, commanding phrases, it's got active verbs like 'harness,' it paints a 
    picture of the future-- 
    
    DONNA
    That's why somebody wants to become President - medical research and the internet? 
    
    JOSH
    She's got a point. 
    
    C.J.
    Sometimes you get your face on a coin. 
    
    JOSH
    Okay. This shouldn't be hard.
    
    CUT TO: INT. THE MURAL ROOM - DAY
    Toby is back in the room with Tawny.
    
    TOBY
    You guys should charge money for this, Tawny. You should sell tickets and charge money and 
    call it "Journey Back to Germany." Where, in 1937, they held a show of degenerate art, 
    vilifying art they deemed sick, art that featured insolent mockery of the divine, art that 
    wasted the taxes of the German working people. 
    
    TAWNY
    Well how much do you think we could get? 
    
    TOBY
    Look... 
    
    TAWNY
    I think it's in incredibly bad taste to equate the US Congress with the Nazis. 
    
    TOBY
    Me too. 
    
    TAWNY
    Toby... 
    
    TOBY
    In Europe and Japan they're spending between 1.5 and 3 billion on the arts. Congress thinks 
    105 million is indulgent? 
    
    TAWNY
    Yes. 
    
    TOBY
    There is a connection between progress of a society and progress in the Arts. The age of 
    Pericles was also the age of Phidias. The age of Lorenzo de Medici was also the age of 
    Leonardo Da Vinci. The age of Elizabeth was the age of Shakespeare. 
    
    TAWNY
    Ain't none of these guys Da Vinci or Shakespeare 
    
    TOBY
    Says you! 
    
    TAWNY
    Let's wait until November. See how many voters agree with me. 
    
    TOBY
    National parks? 
    
    TAWNY
    National park security. 
    
    TOBY
    Security. 
    
    TAWNY
    Yeah. 
    
    TOBY
    Really. 
    
    TAWNY
    Yeah. 
    
    TOBY
    The parks are safe, Tawny. We spend a lot of money on that. 
    
    TAWNY
    They could be safer. 
    
    TOBY
    And the money for that could come from someplace else. 
    
    TAWNY
    Like where? 
    
    TOBY
    Like... 
    
    TAWNY
    New taxes? 
    
    TOBY
    Yeah. [pause] What do you want? 
    
    TAWNY
    Get rid of Oakenwood. We'll find the money someplace else. 
    
    TOBY
    Get rid of Oakenwood. 
    
    TAWNY
    Yeah.
    
    CUT TO: INT. OFFICE OF THE WHITE HOUSE COUNSEL - DAY
    
    ABBEY
    What if I agree to a suspension of my license? I agree of a suspension of my license for 
    the length of Jed's term. If he serves a second term, it includes those years, too. 
    
    OLIVER
    All three states? 
    
    ABBEY
    New Hampshire, Missouri, and Arizona. I pay a fine. I pay a fine and the violation is 
    recorded in the practitioners' data bank, and I resign from all boards and organizations. 
    That gives them a clear win, right? 
    
    OLIVER
    Yeah. 
    
    ABBEY
    So what do you think? 
    
    OLIVER
    You're not my client. 
    
    ABBEY
    Yes. But I'm saying... 
    
    OLIVER
    It's not my job to protect your medical license. 
    
    ABBEY
    What do you think? 
    
    OLIVER
    I think it's good. 
    
    ABBEY
    Yeah? 
    
    OLIVER
    Any White House counsel would think it was good. 
    
    ABBEY
    Will you help me convince the President? 
    
    OLIVER
    No. 
    
    ABBEY
    Why? 
    
    OLIVER
    Because it stinks. 
    
    ABBEY
    You just said it was good. 
    
    OLIVER
    It stinks. 
    
    ABBEY
    In a good way? 
    
    OLIVER
    No. 
    
    ABBEY
    Oliver... 
    
    OLIVER
    You broke some laws, Abby, and quite frankly you should be ashamed of yourself, but, but 
    this investigation isn't about that. 
    
    ABBEY
    Look... 
    
    OLIVER
    It's about the criminalization of politics, an attempt to do in a hearing room what they 
    couldn't do at the ballot box. 
    
    ABBEY
    I understand, but we don't have the luxury. 
    
    OLIVER
    Abby, stop eating fruits, stop eating vegetables, it's doing something bad to you. Fruits 
    and vegetables will seduce you, like a woman, with... 
    
    ABBEY
    Oliver! 
    
    OLIVER
    Truth isn't a luxury. You're gonna go in there, you're gonna swear an oath. You're gonna 
    get asked questions, you're gonna tell the truth. It's the way you stand up and say "STOP!" 
    
    ABBEY
    You should be careful, Oliver. You keep talking like a person, they're gonna kick you out 
    of the Bar. 
    
    OLIVER
    I've been kicked out of bars before. 
    
    ABBEY
    I meant... 
    
    OLIVER
    I know what you meant.
    
    CUT TO: INT. THE ROOSEVELT ROOM - DAY 
    
    BRUNO
    Instead of "Jed Bartlet's fighting to rebuild crumbling schools," we'll make it 
    "We're fighting to rebuild crumbling schools." 
    
    CONNIE
    And we've got a picture of the President on the screen. 
    
    SAM
    Yeah. 
    
    BRUNO
    And we change "Vote Bartlet for America" to, uh, "Paid for by Democrats for America." 
    
    SAM
    You've changed five words. 
    
    CONNIE
    Magic words. 
    
    SAM
    They're not magic. 
    
    CONNIE
    It's an illusion. 
    
    SAM
    It's a scam 
    
    CONNIE
    Yeah. 
    
    TOBY
    Where are we? 
    
    SAM
    Bruno and Connie have managed to fight their way out of the straitjacket of our campaign 
    finance laws. 
    
    BRUNO
    It's an issue ad. 
    
    SAM
    It's a candidate ad with some words changed! 
    
    CONNIE
    Magic words. 
    
    SAM
    Connie... 
    
    BRUNO
    I don't know any other way to fight fire, Toby. 
    
    SAM
    Why are you so bent on carrying these idiot leaflets? 
    
    BRUNO
    'Cause I am tired of working for candidates who make me think I should be embarrassed to 
    believe what I believe, Sam. I'm tired of getting them elected. We all need some therapy, 
    because somebody came along and said "liberal" means soft on crime, soft on drugs, soft on 
    Communism, soft on defense, and we're gonna tax you back to the Stone Age because people 
    shouldn't have to go to work if they don't want to. And instead of saying "Well, excuse me, 
    you right-wing, reactionary, xenophobic, homophobic, anti-eductaion, anti-choice, pro-gun, 
    'Leave it to Beaver' trip back to the fifties," we cowered in the corner and said "Please, 
    don't hurt me." No more. I really don't care who's right, who's wrong. We're both right. 
    We're both wrong. Let's have two parties, huh? What do you say? 
    
    TOBY
    I agree. 
    
    SAM
    Toby... 
    
    TOBY
    So let's stick to the spirit of the law. 
    
    SAM
    The spirit of the law means no soft money. 
    
    TOBY
    No, I'm saying let's do an issue ad, an actual issue ad. Let's do a bunch. Health care, 
    equal opportunity-- 
    
    CONNIE
    School construction. 
    
    TOBY
    School construction. Does anyone think that raising awareness of crumbling schools won't 
    help us? 
    
    SAM
    There's actually a reasonable point here. New polls see Republicans as better on education 
    with no basis for it.
    
    BRUNO
    And the ad could spark a debate on the issue, which would help. 
    
    Sam
    And we take a parallel path on our free media. 
    
    CONNIE
    Across America, our schools are crumbling, holes in the walls, kids packed into trailers like 
    sardines in a can. Half of America's schools are in disrepair. 
    
    TOBY
    And when schools fall down, so do test scores. 
    
    BRUNO
    This isn't bad, I like this. 
    
    SAM
    Yes. 
    
    BRUNO
    Why am I nervous? 
    
    SAM
    It's not amoral. 
    
    BRUNO
    [laughs] Yeah. 
    
    SAM
    Okay. Across America, Schools are crumbling...
    
    CUT TO: INT. THE OVAL OFFICE - DAY 
    
    ALBIE
    Sweeping Wanson Harbor, near Sindo Island. Turned to starboard, hit a mine, bam, sank. 
    The USS Gurkey, the St. Paul, the Erwin, the DD7-94, the John W. Morrison, which took 
    150 rounds of 107-millimeter airburst from a shore battery at Odopando,1953. The Manchester-- 
    
    BARTLET
    Okay. 
    
    ALBIE
    I beg your pardon? 
    
    BARTLET
    It's time. 
    
    ALBIE
    You still got ten minutes by my watch, Mr. President. 
    
    BARTLET
    Yeah. We're going now. 
    
    Bartlet and Leo head outside for the Situation Room. They meet military officers along the way. 
    
    BARTLET
    What happened? Did you contact Pac fleet? 
    
    OFFICER
    And Pac Fleet contacts Ballast 
    
    BARTLET
    And San Diego, right? 
    
    OFFICER
    Yes, sir. We've got a C-141 Starlifter at North Island, it'll transport the DSR-V's. 
    
    BARTLET
    Tell me what they do. 
    
    OFFICER
    They submerge and approach Whiskey Three and dock with her. 
    
    BARTLET
    Whiskey Three? 
    
    OFFICER 2
    It's Portand's code name, sir.
    
    OFFICER
    Once they're secure, the rescue team will blow out the docking collar and survivors will 
    exit through the forward escape trunk in groups of 24. 
    
    BARTLET
    How many trips will it take? 
    
    OFFICER
    Six trips to offload 'em all. 
    
    BARTLET
    What about injured? 
    
    OFFICER
    There'll be a medical team but any seriously injured will be medivaced to Tokyo.
    
    They reach THE SITUATION ROOM. Everyone stands.
    
    ANOTHER OFFICER
    Ten-hut!
    
    BARTLET
    Let's go get 'em. Time's up. 
    
    LEO
    Sir? 
    
    BARTLET
    What? 
    
    OFFICER 3
    We have Whiskey-Three-Charlie on Sat-Hi Com. 
    
    BARTLET
    What does that mean? 
    
    LEO
    We have the Portland on satellite. 
    
    BARTLET
    What does that mean? 
    
    LEO
    We have them. 
    
    VOICE ONE
    Whiskey-Three-Charlie, this is Pac Fleet, report you whiskey, over. 
    
    VOICE TWO
    Pac Fleet, Whiskey Three-Charlie, Whiskey is 36.6 degrees north by 110 west. Went deep and 
    quiet to avoid close-aboard contact with Luna class destroyer. Mechanical situations at full op. 
    
    VOICE ONE
    Whiskey Three-Charlie, this is Pac Fleet. Roger all, and happy hunting. 
    
    BARTLET
    All right, okay. There they are. See, they went deep and quiet to avoid a close-aboard with 
    a Luna class destroyer. What you gotta do in these situations is you trust the captain, 
    you trust the crew. 
    
    LEO
    Yes, sir.
    
    CUT TO: INT. OUTER OVAL OFFICE - DAY
    Bartlet comes back and meets Charlie.
    
    BARTLET
    Hey.
    
    CHARLIE
    Good afternoon, sir.
    
    BARTLET
    It got filed? 
    
    CHARLIE
    Yes sir 
    
    BARTLET
    It got filed? 
    
    CHARLIE
    Yes sir. 
    
    BARTLET
    So I'm on the ballot in New Hampshire. 
    
    CHARLIE
    Yeah. 
    
    BARTLET
    Okay. [pause] When Romans ran for the office of Counsel - did I just see you roll your eyes? 
    
    CHARLIE
    No sir. 
    
    BARTLET
    They wore whitened togas to show their intent - a bit silly, perhaps... 
    
    CHARLIE
    Perhaps? 
    
    BARTLET
    But it was an act of personal commission. 
    
    CHARLIE
    Mr. President. 
    
    BARTLET
    What? 
    
    CHARLIE
    I know how much you like to think of yourself as a man of the people. Roman references and all. 
    But you're the only person who can launch our nuclear weapons. You travel in a fully secured 
    perimeter. You rescue submarines. Maybe it's time that an aide delivers a piece of paper.
    
    BARTLET
    You're pretty mouthy today. 
    
    CHARLIE
    C.J.'s waiting inside, sir. 
    
    Bartlet heads inside THE OVAL OFFICE, where C.J. is indeed waiting.
    
    BARTLET
    Hey. 
    
    C.J.
    Good afternoon, Mr. President. 
    
    BARTLET
    Hey. Do you duck when you're getting on Marine One? 
    
    C.J.
    No, sir. 
    
    BARTLET
    Okay. 
    
    C.J.
    Should I? 
    
    BARTLET
    I think the blades are high enough. 
    
    C.J.
    The Majority Leader got the question last night. 
    
    BARTLET
    I heard. 
    
    C.J.
    He went to the zoo.
    
    BARTLET
    Yeah, listen. I want you to go easy on him. He's a conscientious and dedicated guy. 
    It's not an easy question. 
    
    C.J.
    Can you answer it? 
    
    BARTLET
    Why do I want to be President? 
    
    C.J.
    Yeah. 
    
    BARTLET
    [sighs] I've been thinking about it for the last couple of hours. I almost had it.
    
    CUT TO: END TITLES.
    FADE TO BLACK.
    THE END 
    * * *
    
    The West Wing and all its characters are a property of Aaron Sorkin, John Wells 
    Production, Warner Brothers Television and NBC. No copyright infringement is intended.
    
    Episode 3.6 -- “Gone Quiet”
    Original Airdate: November 14, 2001, 9:00 PM EST
    
    Transcript By: The Vault
    July 12, 2002
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