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  • Episode 3.20 -- "We Killed Yamamoto"
    The West Wing Scripts/Season 3 2008. 11. 6. 17:53
    THE WEST WING
    "WE KILLED YAMAMOTO"
    WRITTEN BY: AARON SORKIN
    DIRECTED BY: THOMAS SCHLAMME
    
    TEASER 
    
    	SUNDAY MORNING
    
    MAN [VO] 
    First, the money trail. Under interrogation from the FBI, we’ve been able to follow up on 
    where Yossi received his materials and financing. An account in Yossi’s name received a 
    $105,000 wire transfer on the first of last month at Seaside Trust in San Mateo, California. 
    
    FADE IN: INT. THE SITUATION ROOM - DAY
    Bartlet and Leo are inside with Fitzwallace and the joint chiefs.
    
    MAN
    Two. Sir, the NSA echelon shows the money originating from an account at the Bank of 
    Commercial Finance in Geneva. The account balance totals a little over 18 million, and 
    we’ve been able to determine that the account was opened with a transfer from Star of 
    the Levant International. Star of the Levant International is a dummy corporation for 
    Bank Al-Hassan. That’s where Colonel Lee takes over. 
    
    COLONEL LEE
    The controlling partner at Bank Al-Hassan is Abdul Lebin Shareef, minister of Defense 
    of the Sultanate of Qumar. 
    
    LEO
    He’s got to put everything in a blind trust when he’s elected. The Qumari Defense Minister 
    gets to own a bank? 
    
    MAN 
    Leo, I think you’re going to find that in a number of ways the Minister of Defense is 
    simply Mr. Shareef’s day job. 
    
    COLONEL LEE
    Massive transfers of funds within one to two weeks of the terrorists’ attacks; all the 
    recipients being Bai operatives. $97000 to the King’s Bank of Tunisia before the Embassy. 
    $65000 to the Merchant’s Bank in Saudi one week before the bombings of the Marine barracks 
    in Port Al Alzoud. 
    
    LEO
    It was Shareef who had three suspects arrested in that case? 
    
    COLONEL LEE
    Yes, sir. He identified them as three top-ranking intelligence officers and had them 
    summarily executed. 
    
    LEO
    So we couldn’t question them? 
    
    FITZWALLACE
    There it is. The bombs in Tunisia and Port Al Alzoud were made by the same source. We’ve 
    identified the bomb signatures. Ammonium nitrate and fuel oil with the dynamite trigger. 
    
    Bartlet looks at photographs. 
    
    FITZWALLACE
    There’s the witness of the Chechnyan the Russians have in custody. There’s Abdul Razi, 
    Shareef’s son in law. And there’s the money trail. 
    
    BARTLET
    [sighs] You haven’t got it. 
    
    Bartlet stands. Everyone follows. 
    
    FITZWALLACE
    Sir... 
    
    BARTLET
    We want to ask the Justice Department to indict Qumari Minister of Defense. We’re saying 
    he’s a terror kingpin. We’re saying he’s killed I don’t know how many civilians and how 
    many of Tommy’s Marines. We’re saying he’s compromised I don’t know how many agents 
    throughout the world and we’re saying he’s done it in the clothing of an ally. This isn’t 
    a cave dweller. This is Capone. You haven’t got it. 
    
    SMASH CUT TO: MAIN TITLES.
    END TEASER 
    * * *
    
    ACT ONE
    
    FADE IN: INT. AMY'S APARTMENT - DAY
    Van Morrison is on the radio as Amy feeds her basset hound and dances around, drinking coffee. 
    Josh is in the bedroom talking on the phone. 
    
    JOSH
    [into phone] I don’t know, it’s confusing. There’s Van Morrison. She’s doing a scene from 
    “Flashdance.” 
    
    DONNA [vo] 
    All right, don’t be frightened. 
    
    JOSH
    You sure? 
    
    DONNA
    Yeah. 
    
    JOSH
    Listen, I’m sending you to Bismarck, okay? You got to go tomorrow and sit in on a DNC 
    platform meeting where they’re discussing whether or not... 
    
    CUT TO: INT. JOSH'S BULLPEN AREA - DAY 
    
    DONNA
    Hang on... I’m sorry, hang on a second. Did you just say you were sending me to Bismarck? 
    
    JOSH
    Yeah. 
    
    DONNA
    North Dakota? 
    
    JOSH
    It’s just overnight. 
    
    DONNA
    Am I being punished? 
    
    JOSH [VO] 
    Just the opposite, my friend. 
    
    DONNA
    I’m being promoted? 
    
    JOSH
    [comes into kitchen] I wouldn’t go that far, you’re speaking for the White House. 
    The DNC’s having a platform meeting and North Dakota wants to have a plank eliminating 
    the word ‘north’ from their name. We take no state for granted; we want to show North 
    Dakota we care and so the White House is going to be represented... 
    
    DONNA
    You want to show North Dakota you care and so you’re sending me? 
    
    JOSH
    [pours himself coffee] It’s really the very most we’re willing to do. I’ll write a 
    statement and you’ll read it. 
    
    DONNA
    Okay. 
    
    JOSH [VO] 
    What are you doing at the office? 
    
    DONNA
    I’ve got to put your stuff together for Congressman Pamento. 
    
    JOSH
    Pintero? 
    
    DONNA
    Yes. 
    
    JOSH
    I forgot I had that meeting. 
    
    DONNA
    How does a person get to Bismarck? 
    
    JOSH
    The Iditarod, Donna. They have an airport; it’s the capital. 
    
    DONNA
    Are you coming here? 
    
    JOSH
    As soon as I get dressed. 
    
    DONNA
    Good bye. [hangs up] 
    
    Josh walks over to Amy, who is sitting on the counter eating toast, singing and tossing 
    her hair. 
    
    JOSH
    Buttercup? You getting enough iron in your diet? You getting too much? 
    
    AMY
    Exactly the right amount. Sunday with my man. 
    
    JOSH
    Quite a bit of Sunday with your man. 
    
    AMY
    What happened? 
    
    JOSH
    I have to meet with Rick Pintero. We set it up yesterday. It’s about reauthorization 
    of the Welfare Reform Bill. [hugs her] 
    
    AMY
    You’re going to miss the Werner Fassbinder Festival. 
    
    JOSH
    And I’m pretty broken up about that. But this is right in your wheelhouse. Poor women 
    are counting on me. 
    
    AMY
    All women count on you, Josh. We find you godlike. 
    
    JOSH
    I bought your birthday present already. [kisses her] 
    
    AMY
    Why have I been dancing? 
    
    JOSH
    Nobody really knows. [leaves] 
    
    CUT TO: INT. COMMUNICATIONS OFFICE - DAY
    Sam walks inside, where two women are waiting for him. 
    
    SAM
    Hey. 
    
    JANE
    Hey, Sam, thanks for doing this on Sunday. 
    
    SAM
    Yeah. 
    
    MURIEL
    How’s it going? 
    
    SAM
    Fine. 
    
    JANE
    She meant since the thing. 
    
    SAM
    I screwed up; I moved on. 
    
    They enter SAM'S OFFICE. 
    
    JANE
    Good, ‘cause we’ve got something we want you to take to Bruno. 
    
    MURIEL
    And Leo, too, it’s legislative. 
    
    SAM
    What? 
    
    MURIEL
    What’s the biggest single thing a president can do for the environment? 
    
    SAM
    Save the Everglades. 
    
    MURIEL
    Largest subtropical wilderness in the low 48. 
    
    JANE
    And they’re obviously in serious trouble. 
    
    SAM
    What’s the plan? 
    
    JANE
    The President announces an $8 billion, 20-year plan to restore the water flows and bolster 
    the wildlife population. 
    
    SAM
    Eight billion? 
    
    JANE
    Yeah. 
    
    SAM
    No sweat. 
    
    JANE
    No, we know where the money comes from. 
    
    SAM
    Where? 
    
    MURIEL
    Same place the pollution does. 
    
    JANE
    The sugar industry. We end sugar subsidies in the federal budget, which adds up to eight 
    billion. It’s great for us, terrible for Ritchie, and suddenly Florida’s in play. 
    
    MURIEL
    And even if we don’t win it, now he’s gotta spend time, he’s gotta spend money campaigning 
    in his own state. 
    
    SAM
    Yeah. No. I’m not taking it to Bruno, but thanks for coming in. 
    
    MURIEL
    Why? 
    
    SAM
    [walks out of the office] I’m sorry? 
    
    JANE
    Why aren’t you taking it to Bruno? 
    
    SAM
    [stops in doorway] Because I like my job. 
    
    MURIEL
    Sam, it’s... 
    
    SAM
    Sugar growers are Ritchie’s biggest supporters. It’ll look like we’re taxing our enemies. 
    It’ll backfire. [leaves] 
    
    MURIEL
    Technically, it’s not a tax! 
    
    SAM [VO] 
    Thanks, guys! 
    
    CUT TO: INT. THE WHITE HOUSE LOBBY - DAY
    Josh runs in, panting. CONGRESSMAN PINTERO is sitting in a chair. 
    
    JOSH
    Congressman! 
    
    PINTERO
    Hey. 
    
    He gets up, and they shake hands.
    
    JOSH
    I’m sorry, I had in my head that we were doing this in your office. 
    
    PINTERO
    No, we said here. 
    
    JOSH
    My assistant set me straight. Come on back. 
    
    They enter the YELLOW HALLWAY as Donna walks out in her coat and with a bag. 
    
    DONNA
    Good afternoon, Congressman. 
    
    PINTERO
    Good afternoon. 
    
    DONNA
    I’m off to buy prairie gear. 
    
    JOSH
    It’s a city. You’ve been there. 
    
    DONNA
    I’ll call later! [leaves] 
    
    We follow Josh and Pintero to JOSH'S BULLPEN AREA.
    
    PINTERO
    You seem a little frazzled. 
    
    JOSH
    Ah... I just... we’ve been scheduled for a while to go to a Catholic charity’s fundraiser 
    in New York next week. It’s the Royal National Company... 
    
    PINTERO
    “Wars of the Roses?” Cathy and I saw it in London. It’s...It’s fantastic. It’s like no 
    Shakespeare you’ve ever seen, there’s music, they sing... 
    
    JOSH
    [pours coffee] And it’s great, but I’ve just been told Governor Ritchie is coming as well, 
    so now it becomes a different thing, and... 
    
    PINTERO
    So now you’ve got to tell Toby Ziegler. 
    
    JOSH
    [laughs] Yeah. But what do you got? 
    
    PINTERO
    The twenty-five votes you need to move the Working Toward Independence Act out of committee. 
    
    JOSH
    How? 
    
    PINTERO
    The President has to agree to a compromise. 
    
    They stop in the doorway to JOSH'S OFFICE.
    
    JOSH
    We can’t cave on childcare. 
    
    PINTERO
    You’re getting a billion more on childcare. 
    
    JOSH
    A billion? 
    
    PINTERO
    For a trade. 
    
    JOSH
    What? 
    
    PINTERO
    We put in three hundred million more for marriage incentives, and we raise the work 
    requirements to 38 hours a week. 
    
    JOSH
    [comes out of his office] Well, the work requirement aside, the marriage incentives... 
    
    PINTERO
    It’s the only way. 
    
    JOSH
    Marriage incentives are terrible! 
    
    PINTERO
    It’s the only way. 
    
    JOSH
    [beat] All right, let me talk about it around here. 
    
    PINTERO
    [starts to leave] Hey, you’re gonna love that show. 
    
    JOSH
    Yeah, I’m really looking forward to it. Thanks.
    
    He walks into his office and slams the door.
    
    CUT TO: EXT. ARLINGTON CEMETERY - DAY
    A motorcade is cruising around. Leo is leaning on a limo, talking on the phone and writing 
    in his notepad. 
    
    LEO
    “I will do it again.” Thanks. 
    
    He hangs up and walks towards Bartlet, who is standing holding flowers, together with 
    Charlie, next to Mrs. Landingham’s grave. 
    
    BARTLET
    [to the grave] I’ve been seeing a shrink, by the way. I had trouble sleeping and Leo 
    brought in a guy. I feel ridiculous talking out loud like this, but he said... Doesn’t 
    matter. I just can’t believe it’s been a year. Anyway. 
    
    Bartlet puts the flowers down, and walks towards Leo.
    
    BARTLET
    What is it? 
    
    LEO
    It can wait until we get back. 
    
    BARTLET
    What is it? 
    
    LEO
    This isn’t the place. 
    
    BARTLET
    Leo. 
    
    They walk towards the motorcade.
    
    LEO
    Shareef had a meeting with two Muslim clerics in Bechar. We picked up the meeting by 
    aiming and IR laser beam at the windows from 400 feet. Three different Arabic experts 
    worked on the translation. [opens notepad] 
    
    BARTLET
    [reads]“The enemy imagines he is secure. The bridge did not fall. He looks down from 
    his high-- or elevated place or places-- but our great victory is still assured. 
    There will be other moments. 
    
    LEO
    Meaning times, places, or opportunities. 
    
    BARTLET
    “I have brought him low, and I will do it again.” [takes off glasses] All right. 
    
    Bartlet gets into the limousine and the motorcade begins moving. 
    
    FADE OUT.
    END ACT ONE
    * * *
    
    ACT TWO
    
    FADE IN: INT. THE ROOSEVELT ROOM - DAY
    
    	MONDAY 
    
    Toby, C.J., Josh, Sam, Ed, Larry and several other staffers are having a meeting.
    
    TOBY
    They can't be in the same room. It elevates him, it diminishes us.
    
    C.J.
    Yes.
    
    TOBY
    Now he's one of two guys tossing a job application.
    
    C.J.
    And it gives him access to a massive press corps.
    
    JOSH
    How do we get out? We'll look impolite, and we'll look chicken.
    
    LARRY
    We could ask Ritchie not to go.
    
    ED
    How does that work?
    
    LARRY
    We'll ask politely.
    
    JOSH
    We'll tell him the shows not very good, we don't think he's going to like it.
    
    C.J.
    Yes, yes, that's what we do.
    
    JOSH
    We don't go, we pull out. Better to look chicken, then to get broasted, my mother always says.
    
    SAM
    What's broasted?
    
    JOSH
    I've never really known but it's what they do to chickens.
    
    TOBY
    What do you think?
    
    SAM
    I don't know.
    
    TOBY
    You think we don't go, right?
    
    SAM
    Yeah.
    
    TOBY
    All right, we don't go. The President's going to have to call the Archbishop.
    
    C.J.
    I was looking forward to it.
    
    TOBY
    What?
    
    C.J.
    The show.
    
    JOSH
    It's five hours of King Henry's with musical interludes and a dinner break.
    
    C.J.
    I think you should come to my house and perform it for me.
    
    TOBY
    We're done.
    
    Toby and Sam get up and walk into the HALLWAY.
    
    TOBY
    Sam...
    
    SAM
    Yeah?
    
    TOBY
    I talked to Jane and Muriel this morning and they said they came to you yesterday with 
    something about the Everglades and you shut the door.
    
    SAM
    Yeah.
    
    TOBY
    They seemed pretty excited about it. You sure you don't want it?
    
    SAM
    You can look it over.
    
    TOBY
    No, if you say so.
    
    SAM
    Okay.
    
    CUT TO: INT. THE SITUATION ROOM - DAY
    
    BARTLET
    This is ridiculous. He's coming here. He's coming here! Why the hell can't we arrest him 
    when he steps off the plane?
    
    MAN 1
    It's a breach of diplomatic immunity.
    
    DAVID
    It's our own Diplomatic Relations Act-- 22 U.S.C. 254.
    
    MAN 1
    No foreign government...
    
    MAN 2
    He doesn't need the citation...
    
    FITZWALLACE
    At what point do you forfeit diplomatic status?
    
    BARTLET
    Fitz makes a reasonable point. Doesn't it pretty much go without saying that I revoked 
    it after he tried to blow up the Golden Gate Bridge?
    
    MAN 1
    It doesn't go without saying Mr. President. Now, immunity can be set aside. It's possible, 
    but it means making our case to the Sultan.
    
    LEO
    We can't do that.
    
    DAVID
    We have no extradition treaty with Qumar.
    
    BARTLET
    Why the hell do we need...? He's coming here on his own. He's delivering himself on 
    a Lear jet.
    
    DAVID
    It still means setting aside diplomatic immunity, which stills means a conversation with 
    the Sultan.
    
    LEO
    We can't talk to the Sultan David, Shareef is a member of the royal family. The Sultan's 
    his brother. We want to lock him up. I don't think he's going to warm to it. Plus we're 
    never going to see Shareef again.
    
    MAN 1
    There are things we could explore working under treaties we signed with Great Britain 
    when Qumar was a protectorate. Now, Qumar has historically rejected this interpretation 
    of international law...
    
    LEO
    That's fine. It doesn't matter what they historically rejected. Shareef is coming here. 
    Have an answer for us by tomorrow, okay?
    
    BARTLET
    Fellas, this guy is going to stand trial in a US court and if we have to stick heroin on 
    his plane to get him there, that's what we're going to do. 
    
    CUT TO: INT. C.J.'s OFFICE - DAY
    Simon is standing in the doorway of C.J.'s empty office, when C.J. comes walking down 
    the hall and spots him.
    
    C.J.
    Agent 99.
    
    SIMON
    Morning.
    
    C.J.
    I want you to tell me right now, this second, what are you people doing to catch this guy?
    
    SIMON
    We're doing all the things that we do.
    
    C.J.
    You know, I haven't been happy with any of your answers to any of my questions.
    
    SIMON
    Well, you've done a pretty good job concealing your dissatisfaction so far.
    
    C.J.
    Simon...
    
    SIMON
    The OPR, after examining you hard drive, has determined that he or she attached a virus to 
    the e-mails that were sent to you. It's called a Trojan horse application and once installed, 
    allows the perpetrator to record all of your inputs.
    
    C.J.
    He's been reading my e-mail?
    
    SIMON
    You traded e-mails with Hogan.
    
    C.J.
    He knew I was shopping?
    
    SIMON
    He was there.
    
    C.J.
    How do you know?
    
    SIMON
    He thought you looked good in the black Vera Wang.
    
    C.J.
    I don't want to know about this.
    
    SIMON
    That's why I don't tell you.
    
    C.J.
    You just did.
    
    SIMON
    You asked me.
    
    C.J.
    So the one time you answer a question of mine...
    
    SIMON
    Are you going to your gym tonight?
    
    C.J.
    What?
    
    SIMON
    Are you working out?
    
    C.J.
    I thought you said you want to have "gin" tonight.
    
    SIMON
    No.
    
    C.J.
    I can't go to my gym tonight. My gym's flooded.
    
    SIMON
    How about the White House gym?
    
    C.J.
    It closes at 7:00.
    
    SIMON
    You could use ours. It's just a couple of blocks.
    
    C.J.
    Is it a good gym?
    
    SIMON
    Yes, it's a... We run alongside moving cars.
    
    C.J.
    You don't have to get snobby about it.
    
    SIMON
    Would you like to use our gym?
    
    C.J.
    Yes, thank you.
    
    SIMON
    Good morning.
    
    CUT TO: INT. BASEMENT HALLWAY - DAY
    Bartlet and Leo walk.
    
    BARTLET
    It should be a showcase. He should have the best lawyers in the world.
    
    LEO
    We got to make sure he lands at Dulles and not BWI.
    
    BARTLET
    Why?
    
    LEO
    'Cause that's the court that'll have jurisdiction.
    
    BARTLET
    The law cracks me up.
    
    LEO
    I know.
    
    BARTLET
    What else?
    
    LEO
    Josh met with Rick Pintero yesterday on the Working Toward Independence Act.
    
    BARTLET
    You suppose that could be any more patronizingly named?
    
    LEO
    I think when we're talking welfare, that ships pretty much sailed.
    
    BARTLET
    What do they want me to eat?
    
    LEO
    300 million for marriage incentives.
    
    BARTLET
    Ah, the marriage incentives. What a bunch of horse manure.
    
    LEO
    I agree.
    
    BARTLET
    Is marriage really something that should be incentivised? And where the hell are all 
    the small government conservatives when we're talking about Washington getting into the 
    yenta business?
    
    LEO
    Yes.
    
    BARTLET
    You think we should do it?
    
    LEO
    Let's swallow the pill. Our own caucus won't discuss it and it does more good then harm.
    
    BARTLET
    Marriage incentives. Used to be all you had to have was a decent dental practice.
    
    LEO
    I don't understand. You didn't grow up in the Catskills, yet...
    
    BARTLET
    I'm erudite.
    
    LEO
    Yes.
    
    BARTLET
    Lets do it.
    
    LEO
    Thank you, Mr. President.
    
    Leo walks off as Bartlet goes into the OUTER OVAL OFFICE.
    
    BARTLET
    Charlie.
    
    CHARLIE
    Yes, sir.
    
    BARTLET
    I appreciated you coming out to the cemetery with me yesterday.
    
    CHARLIE
    Yes sir.
    
    BARTLET
    So it's been a year. Why don't you organize the search, you know for a new Executive Secretary.
    
    CHARLIE
    Yes, sir. Absolutely.
    
    BARTLET
    I may not like the first couple of candidates. It may take a while.
    
    CHARLIE
    No, I don't imagine you're going to hire somebody, sir, but this is a step in the right direction.
    
    BARTLET
    Thank you.
    
    CHARLIE
    Thank you, Mr. President.
    
    CUT TO: INT. CONFERENCE ROOM, BISMARCK, NORTH DAKOTA - DAY
    Donna is meeting with local government.
    
    DONNA
    "Eliminating the term "north" from North Dakota is an important state issue and the 
    President feels it should be resolved on a state level. While the President is sympathetic 
    towards the cause and understands the large economics ramifications of this name change, 
    he feels the issue is not yet ripe for national attention. The President wishes you well 
    on your endeavors and thanks you for your support."
    
    MAN
    Uh, Miss Moss? Are you aware that studies clearly show the word 'north' leaves the impression 
    that this state is cold, snowy and flat, significantly depressing tourism and business startup.
    
    DONNA
    With due respect, sir, your average temperature is 7 degrees. Your average snowfall: 
    42 inches, and a name change isn't going to take care of that.
    
    WOMAN
    We enjoy roughly the same climate as South Dakota. We took in 73.7 million in tourism 
    revenue last year. They took in 1.2 billion. They have the word "south."
    
    DONNA
    Also Mount Rushmore.
    
    MAN
    Miss, is the White House behind this or not?
    
    DONNA
    Please, let me be clear again. I have very narrow parameters in terms of representing 
    the position of the White House. I'm an a assistant to Josh Lyman, and I was sent here 
    to read a statement.
    
    CUT TO: INT. AMY'S APARTMENT - DAY
    Van Morrison is playing in the background and a pot of stew is brewing on the stove. 
    Amy is at a desk reading through papers and typing on her computer there is a knock 
    on the door. Amy gets up and answers the door.
    
    JOSH
    Hey. [kisses Amy] Something smells great.
    
    AMY
    There's going to be stew.
    
    JOSH
    It's ready? We can eat it?
    
    AMY
    I'm cooking it for the fourth time.
    
    JOSH
    The beef is well done?
    
    AMY
    Burnt.
    
    JOSH
    The peas?
    
    AMY
    Baby peas.
    
    JOSH
    Carrots?
    
    AMY
    Soft.
    
    JOSH
    Potatoes?
    
    AMY
    Cubed.
    
    JOSH
    Gravy?
    
    AMY
    Well spiced, much like myself.
    
    JOSH
    Oh, this is going to be a good night. My woman, a fine stew, and a Mets game on national TV. 
    You see how I slipped that last one in?
    
    AMY
    I saw.
    
    JOSH
    You listening to Van Morrison again?
    
    AMY
    It's the radio. You never said how the meeting with Pintero went.
    
    JOSH
    Well... uh, good.
    
    AMY
    They're going to vote it out of committee?
    
    JOSH
    Yeah, in fact we're getting another billion for childcare.
    
    AMY
    What do you have to give Republicans for a billion dollars.
    
    JOSH
    300 million for marriage incentives.
    
    AMY
    You mean like subscriptions to "Bride and Groom Magazine"?
    
    JOSH
    No, the marriage incentives are a serious...
    
    AMY
    I know what the marriage incentives are.
    
    JOSH
    Let's not do this now.
    
    AMY
    Cash bonuses to moms on welfare who marry the child’s father-- canceling out child support 
    debt if the parents...
    
    JOSH
    You know what? Every single study, every one shows that kids do better in two-parent houses.
    
    AMY
    Kids are better off if they're raised by parents who love them. Your solution is loveless.
    
    JOSH
    It's not my solution.
    
    AMY
    Does my government really believe that the law can create a family? Do these old fat-ass 
    men really believe that if they just pay people to act like "Leave it to Beaver", 
    everything'll be fine? Did you really think the person in my job is going to sit? 
    This is about collecting votes from white men.
    
    JOSH
    Amy, if we don't get elected, I promise you, President Ritchie is going to have a lot 
    less sympathy for your agenda.
    
    AMY
    This bill isn't going to pass.
    
    JOSH
    Yes it is. It's locked up. I have the American Children’s Alliance behind it.
    
    AMY
    Not for long. [gets on the phone] It's me Scott. Everyone who's in the office should stay 
    there. I need Legislative Affairs to put together a meeting with Regina King.
    
    JOSH
    And we're back to work.
    
    Josh reaches for his cellphone, but Amy grabs it before he does and throws it in the stew.
    
    AMY
    And I want to start shooting calls tonight to the Congressional Women's Caucus... the CRA 
    and all of Matty's people. The marriage incentives are in the welfare reauthorization and 
    it's committee. 
    
    Josh has walked across the room and picked up Amy's house phone.
    
    AMY
    Hold on. 
    
    She rifles through a drawer and pulls out scissors.
    
    AMY
    Can you call Robison?
    
    Amy walks towards Josh.
    
    JOSH
    Yeah, it's Josh. The Secretary of Labor is in Chicago...
    
    Amy cuts the phone cord.
    
    AMY
    Tell him I'm calling in the I.O.U. on prenatal healthcare. Hold on. I'm sorry, honey, that 
    was an accident. There's a payphone on the corner. Although its been out of order for a 
    little while. Lets get Kate Feldon with the Society of Business Women. She's spinning right 
    now, so keep trying. I'm on my way. Let's get to work. Put Janeane on the phone. I'll hold. 
    Janeane, it's me. Let's suit up.
    
    FADE OUT.
    END ACT TWO
    * * *
    
    ACT THREE
    
    FADE IN: INT. CONFERENCE ROOM, BISMARCK, NORTH DAKOTA - DAY
    Donna continues her conference.
    
    MAN
    Right now, we have an unique opportunity to reexamine our economy and mindsets and develop 
    strategies to maximize our state's strengths and resources to generate new business. 
    The key strategy being to remove the negative image the state by establishing a more 
    inviting state name-- Dakota.
    
    HARRY CONROY (CHAIRMAN IN NORTH DAKOTA)
    Okay, we'll adjourn for the night, and pick this up tomorrow morning at 8:00 AM. 
    Thank you, everyone. [to Donna] You did very well.
    
    DONNA
    Oh, thank you. I just read what I was given.
    
    HARRY
    No, you answered the questions with a lot of poise.
    
    DONNA
    Well, thank you.
    
    HARRY
    Speaking of questions. How's my friend Sam Seaborn doing?
    
    DONNA
    Fine. I'll let him know you asked.
    
    HARRY
    I meant since the videotape.
    
    DONNA
    Fine.
    
    HARRY
    So I shouldn't be reading anything into the fact that they sent you and not him?
    
    DONNA
    Oh, god no. Mr. Chairman...
    
    HARRY
    Harry.
    
    DONNA
    I'm sorry if this sounds insulting, but...
    
    HARRY
    It's not on Seaborn's radar screen.
    
    DONNA
    I'm a senior assistant. He's a senior counselor. The difference between me and Sam, 
    is the difference between me and the starting second baseman for the Yankees. He just 
    took one in the teeth, that's all.
    
    HARRY
    Tell him Harry Conroy says get up off the dirt.
    
    DONNA
    Yes, sir.
    
    CUT TO: INT. SECRET SERVICE GYM, SHOOTING RANGE - NIGHT
    C.J., just after working out, approaches Simon by the shooting range.
    
    C.J.
    You guys have a shooting range here?
    
    SIMON
    Yeah. How was the workout?
    
    C.J.
    Good.
    
    SIMON
    Home?
    
    C.J. 
    [pointing at his gun] Let me try one of those.
    
    SIMON
    A what?
    
    C.J.
    A gun.
    
    SIMON
    Shooting?
    
    C.J.
    Yeah, let me see what all the fuss is about.
    
    SIMON
    Have you ever shot a gun before?
    
    C.J.
    Yeah.
    
    SIMON
    What kind?
    
    C.J.
    Well, I haven't shot one as much as I've seen others shot one in the movies.
    
    C.J.
    You guys use bull's-eyes?
    
    SIMON
    Yeah.
    
    C.J.
    I thought you'd use those little outlines of people.
    
    SIMON
    We have those too.
    
    C.J.
    'Cause I'm thinking if someone's coming or you they probably don't have a bulls-eye on them.
    
    SIMON
    They do if I'm guarding you.
    
    C.J.
    Tough talk. I like that. Give me your gun.
    
    SIMON
    Let me get you a 25 caliber.
    
    C.J.
    What's wrong with yours?
    
    SIMON
    It's a .357 magnum.
    
    C.J.
    I've heard of that. That's a good brand.
    
    SIMON
    Yes.
    
    C.J.
    Let's go. I'm feeling twitchy.
    
    SIMON
    That's good news for me. Don't come close to pointing it at me.
    
    C.J.
    This is cool.
    
    SIMON
    I'm going to stand behind you and hold your shoulders.
    
    C.J.
    I don't need training wheels.
    
    SIMON
    Okay.
    
    Simon backs away from C.J. as she cocks the gun and fires. The recoil from gun knocks 
    C.J. to the floor.
    
    SIMON
    Be careful. That .357's got a bit of a kick.
    
    C.J.
    That thing practically broke my arm. I've been wrong about guns. Just hand these out 
    to the criminals.
    
    Simon helps C.J. get up off the ground.
    
    SIMON
    Want to go home now?
    
    C.J.
    What do you got?
    
    SIMON
    I'm sorry?
    
    C.J.
    Marksmanship-wise?
    
    SIMON
    Well, I can fire a gun without falling down, if that's what you mean.
    
    C.J.
    Show me what you've got. I'll tell you what. I'll make it interesting for you. Get five 
    bullets. If you can't land any in the middle, then I get to drive my car.
    
    SIMON
    Well, I think that makes it interesting for you.
    
    C.J.
    Come on. One dead center, I never bother you about it again.
    
    SIMON
    Okay.
    
    C.J.
    Okay.
    
    SIMON
    Plus...
    
    C.J.
    What?
    
    SIMON
    You have to say something nice to me.
    
    C.J.
    Something nice to you?
    
    SIMON
    Yeah.
    
    C.J.
    Okay.
    
    SIMON
    All right.
    
    C.J.
    Wait. That was a trick. You must know you can do it. Put three in the middle.
    
    SIMON
    Three?
    
    C.J.
    Three out of five. You want to back out?
    
    SIMON
    No, I'm just worried about what I'm going to do with the other two. I'll be working 
    against muscle memory.
    
    C.J.
    Look, if you want to back out...
    
    Simon begins shooting the gun making C.J. recoil and cover her ears from the loudness 
    of the shots. Simon puts down his and presses the button to bring the bulls-eye in to 
    view. There are three holes right next to each other on the bull's-eye.
    
    C.J.
    Wow. That's what I call dead center. What happen to the other two bullets?
    
    SIMON
    What do you mean?
    
    C.J.
    There were five bullets, and I don't believe it.
    
    SIMON
    Three dead center.
    
    C.J.
    How do you shoot like that?
    
    SIMON
    They give us lessons.
    
    C.J.
    I don't believe it.
    
    SIMON
    Well?
    
    C.J.
    Yes. Yes. I like that you're tall.
    
    SIMON
    You do?
    
    C.J.
    It makes me feel more feminine. I'm going to go change.
    
    Simon shoves the gun in his pants waist with a movie-like gesture and pulls it out in a second.
    
    SIMON
    Hot, hot, hot!
    
    CUT TO: INT. SAM'S OFFICE - DAY
    
    	TUESDAY
    
    Charlie shows up at Sam's door.
    
    SAM
    Come in.
    
    CHARLIE
    Excuse me.
    
    SAM
    Hi.
    
    CHARLIE
    Got a minute?
    
    SAM
    What do you need?
    
    CHARLIE
    The President's ready to hire a lead secretary.
    
    SAM
    That's good.
    
    CHARLIE
    He asked me to start putting together a search. I thought about Elizabeth Etcheberry but the 
    German accent. And then Beverly Casey's been secretary to two ambassadors. Sue Po, who worked 
    for the head of the OPM. Jerry Walters-- but I don't think he'll be comfortable with a man.
    
    SAM
    You'll find somebody.
    
    CHARLIE
    How've you been?
    
    SAM
    Fine.
    
    CHARLIE
    Okay. If you think of anybody in the middle of the night.
    
    SAM
    Yeah.
    
    CUT TO: INT: LEO'S OFFICE - DAY
    Josh and Toby come in with Leo.
    
    JOSH
    Hey.
    
    LEO
    We spent millions of dollars developing a pen for the astronauts that would work in zero 
    gravity. Know what the Russians did?
    
    TOBY
    Used a pencil?
    
    LEO
    They used a pencil. What do you need?
    
    JOSH
    We're actually here separately. This is a coincidence.
    
    LEO
    Okay.
    
    JOSH
    We have to move faster on the welfare bill.
    
    LEO
    Yesterday you told me we were fine.
    
    JOSH
    We are fine, but the women's groups will have their day in the sun.
    
    LEO
    Women's groups?
    
    JOSH
    One particular women's group for sure.
    
    LEO
    Josh is there nothing you can do to tame that woman?
    
    JOSH
    Hey...
    
    LEO
    How scared should I be?
    
    JOSH
    Not at all. I'm just saying...
    
    LEO
    It's going to be fine?
    
    JOSH
    Yeah.
    
    LEO
    'Cause it's a body blow if we lose the floor vote.
    
    JOSH
    We're not going to lose the floor vote.
    
    LEO
    You?
    
    TOBY
    The President needs to call the Archbishop and tell him we can't be at the fund-raiser.
    
    LEO
    I know.
    
    TOBY
    He needs a reason.
    
    LEO
    We can use the same thing we were going to use with Chigorin to get out of Helsinki.
    
    JOSH
    That's exactly what we do. No, it takes care... We get the leadership to schedule the 
    welfare vote for next week on the day we're supposed to be in New York. We can't go 
    'cause we got to work the vote and the early vote gives Amy no time to mobilize.
    
    LEO
    Done.
    
    JOSH
    This is good.
    
    LEO
    Toby, an encouraging word from you to Sam wouldn't be totally out of line.
    
    TOBY
    Sam doesn't need to be patronized. He'll shake it off.
    
    LEO
    It'd make him feel better.
    
    TOBY
    I don't want him feeling better. I want him feeling mad. Is there anyone you'd rather have 
    as a blood enemy less then Sam? That's how I want him.
    
    LEO 
    [smiling fondly] You know, it was a screw up, but I got to say I love the way he did it-- 
    full speed, bam. Like there's a Sam Seaborn-shaped hole in the wall.
    
    BARTLET 
    [comes in] They've got something for us.
    
    LEO
    Excuse me.
    
    CUT TO: INT: THE SITUATION ROOM - DAY
    Bartlet and Leo are already inside.
    
    BARTLET
    Did we solve immunity?
    
    MAN 1
    Sir...
    
    BARTLET
    Did we solve it?
    
    MAN 1
    Yes, sir.
    
    DAVID
    But it doesn't matter.
    
    BARTLET
    Why?
    
    DAVID
    The judge would throw out the case. The entire chain of evidence leading us to Shareef 
    originates with the testimony of a Chechnyan prisoner.
    
    BARTLET
    Yeah.
    
    MAN 1
    His testimony was reached after prolonged physical abuse by Russian soldiers.
    
    BARTLET
    He was tortured?
    
    MAN 1
    Yes, sir.
    
    BARTLET
    Well, I'm no lawyer, but I'm pretty sure that's inadmissible.
    
    MAN 1
    Yes, sir.
    
    BARTLET
    We'll come up with a less aggressive way of... We'll cancel his trip here obviously, 
    but we'll come up with something. That's the ball game.
    
    FADE OUT.
    END ACT THREE
    * * *
    
    ACT FOUR
    
    FADE IN: INT. THE SITUATION ROOM - DAY
    Leo and Fitzwallace are sitting across from each other.
    
    LEO
    This is always when you say something.
    
    FITZWALLACE
    Nah. Have you changed shampoo? You have, I can tell.
    
    LEO
    I like to look good for you.
    
    FITZWALLACE
    Well, I appreciate it. Can you tell when its peacetime and wartime anymore?
    
    LEO
    No.
    
    FITZWALLCE
    I don't know who the world's leading expert on welfare is, but any list of the top has 
    got to include me and I can't tell when it's peacetime and wartime anymore.
    
    LEO
    Look, international law has always recognized certain protected person's who you couldn't 
    attack. It's been this way since the Romans.
    
    FITZWALLACE
    In peacetime.
    
    LEO
    Yes.
    
    FITZWALLACE
    The battle of Agincourt this was the French fighting against the British archers, this 
    was like a polo match. The battles were observed by heralds and they picked the winners. 
    And if a soldier laid down his arm he was treated humanely.
    
    LEO
    Yeah.
    
    FITZWALLACE
    And the international laws that you're talking about, this is where a lot of them were 
    written. At a time in a place where a person could tell between peacetime and wartime. 
    The idea of targeting one person was ridiculous. It wouldn't have occurred to the French 
    to try to kill William Pitt. That all changed after Pearl Harbor.
    
    LEO
    I don't like where this conversation's going.
    
    FITZWALLACE
    Leo.
    
    LEO
    In the Situation Room, Fitz?
    
    FITZWALLACE
    We killed Yamamoto. We shot down his plane.
    
    LEO
    We declared war.
    
    FITZWALLACE
    If Dietrich Bonhoeffer had been successful...
    
    LEO
    And the plot to kill Hitler was an internal rebellion.
    
    FITZWALLACE
    ...there would've been statues built of an assassin. We'd have to explain that to our kids.
    
    LEO
    I'm going to get back to the office.
    
    FITZWALLACE
    We measure the success of a mission by two things: Was it successful and how few civilians 
    did we hurt. They measure success by how many. Pregnant women are delivering bombs. You're 
    talking to me about international laws? The laws of nature don't even apply here. I've been 
    a soldier for 38 years. And I found an enemy I can kill. He can't cancel Shareef's trip, Leo. 
    You've got to tell him he can't cancel it.
    
    CUT TO: INT. JOSH'S BULLPEN AREA - NIGHT
    Donna walks up to Josh.
    
    DONNA
    Hey. Excuse me, I'm looking for Josh Lyman. Do you happen to know...?
    
    JOSH
    They're getting telegrams two to one against. I just met with two Congressmen. Amy got in 
    going in 24 hours.
    
    DONNA
    Two to one against?
    
    JOSH
    Yeah. I'm not talking about just a couple either.
    
    DONNA
    It'll be already. 
    
    Sam walks by.
    
    DONNA
    Excuse me, Sam.
    
    SAM
    Hey. You just got back from someplace, right?
    
    DONNA
    Bismarck. DNC platform hearings on dropping North.
    
    SAM
    Just from the state, right?
    
    DONNA
    Not the compass.
    
    SAM
    Yeah.
    
    DONNA
    The Chairman was a guy named Harry Conroy.
    
    SAM
    Yes.
    
    DONNA
    He said, "Tell Sam Harry Conroy said get up off the dirt."
    
    SAM
    I am up off the dirt.
    
    DONNA
    Okay.
    
    SAM
    I am.
    
    CHARLIE
    Hey.
    
    DONNA
    How you doing?
    
    CHARLIE 
    [to Sam] You got a second?
    
    SAM
    Actually, I'm crashing a deadline.
    
    CHARLIE
    I was going to pick your spirits up.
    
    SAM
    My spirits are up.
    
    CHARLIE
    'Cause I can do magic.
    
    SAM
    really?
    
    TOBY
    Excuse me.
    
    DONNA
    Hey.
    
    TOBY
    Can I get the room for a minute?
    
    CHARLIE
    Come see me about that magic.
    
    SAM
    Will do.
    
    TOBY
    The first election I ever worked, you know was Bronx Borough President. There was some 
    questions about my guys tax returns, so we called a press conference. It was 104 degrees 
    that day on Bronx Boulevard. And I thought with a tax thing, the shorter the better, so 
    I turned off the air-conditioning.
    
    SAM
    Did the press end it fast?
    
    TOBY
    Not the press so much as the candidate fainted.
    
    SAM
    Well, you changed the story.
    
    TOBY
    Yeah. I don't even think I ended up voting for him. Now, you screw up was worse and on a 
    much bigger stage.
    
    SAM
    I'm fine.
    
    TOBY
    Yeah. 'Cause this is no time for the starters to be on the bench.
    
    SAM
    Yeah.
    
    TOBY
    All right. 
    
    Toby begins to walk out of the room but stops and turns around.
    
    TOBY
    I read the Everglades pitch from Muriel and Jane. You're right, it's probably a pass.
    
    SAM
    No, that's the memo I'm writing now; I don't think so.
    
    TOBY
    I think anything tactical makes us look bad.
    
    SAM
    Well, we should get used to it. We go on TV, we do a better job at selling it then the 
    other guy. And we win the bigger argument which is Ritchie is with Florida's special 
    interests. And we do it right, we've forced him into defending polluters. I think Jane 
    and Muriel are right. I also think it's the right thing to do. Ginger?
    
    GINGER
    Yeah.
    
    SAM
    I'm printing this now. You'll get it out?
    
    GINGER
    Yeah.
    
    TOBY
    All right.
    
    SAM
    Thanks, though.
    
    TOBY
    Sam?
    
    SAM
    Yeah?
    
    TOBY
    You're still mad, right?
    
    CUT TO: INT. OUTER OVAL OFFICE - NIGHT
    Josh is on his way to the Oval Office.
    
    CHARLIE
    Well, she needs good skills. 110 ten words a minute. And discretion, obviously. 
    A willingness to put this first no matter what. But there's an X-factor, right?
    
    JOSH
    Yes.
    
    CHARLIE
    What is it?
    
    JOSH
    It's unknown. That's why it's called an X-factor.
    
    CHARLIE
    Yes.
    
    JOSH
    An intangible...
    
    CHARLIE
    I've got the lady.
    
    JOSH
    Hmm?
    
    CHARLIE
    I've got the lady. I know who's the lady going to be. I've got the lady.
    
    Josh walks into THE OVAL OFFICE.
    
    BARTLET
    Josh, what the hell did you do to this welfare vote?
    
    JOSH
    Well, we scheduled it for Wednesday night.
    
    BARTLET
    Why?
    
    JOSH
    Two reasons, sir. The first was to get you out of the Catholic Charities event in New York.
    
    BARTLET
    I'm going to that.
    
    JOSH
    Governor Ritchie's accepted an invitation.
    
    BARTLET
    I know.
    
    LARRY
    Sir, none of thought it was a very good idea...
    
    BARTLET
    The fund-raiser was my idea. I've known the Archbishop for 20 years and I'm not playing 
    politics with the church. Did anyone want to ask me abut this? You've got me running the 
    vote from the mezzanine floor of a Broadway theatre. Where are we in the vote?
    
    JOSH
    Well, to be honest, we're slipping a little bit.
    
    BARTLET
    We are?
    
    JOSH
    Yes, sir.
    
    BARTLET
    Why?
    
    JOSH
    The women's groups are raising...
    
    BARTLET 
    [angrily] True or false, Josh: My life would be better right now if you and your 
    girlfriend swapped jobs? Why is it for every good thing you do around here, we've got 
    to endure three screwiest.
    
    JOSH
    Well, I'm sorry about the...
    
    BARTLET
    Sorry doesn't get me 218. It doesn't get back the ad that slipped through your office 
    any more then it gets back tobacco which you gave away for lunch money. And why the hell 
    don't you know what Ritchie's commitments are before you get anywhere near my schedule? 
    I've got the Presidential Box at a cattle call. Win the damn vote.
    
    JOSH
    Yes, sir.
    
    BARTLET
    I've got a G-8 briefing.
    
    JOSH
    Thank you, Mr. President.
    
    CUT TO: EXT. WASHINGTON, D.C. - NIGHT
    C.J. and Simon walking to her house.
    
    C.J.
    That was a fun party. I'd wish you'd come inside.
    
    SIMON
    I'd wish you'd let me use the car.
    
    C.J.
    It's two blocks.
    
    SIMON
    That's not the point.
    
    C.J.
    You're not big on fun, are you?
    
    SIMON
    Me?
    
    C.J.
    Yeah.
    
    SIMON
    I'm nothing but fun. What are you doing wrong right now?
    
    C.J.
    Walking on the wrong side of you.
    
    SIMON
    Yes.
    
    C.J. 
    [switches sides] We couldn't just be two people who are walking home at the end of the night?
    
    SIMON
    We are.
    
    C.J.
    You know you told me a few days ago that you were at Rosslyn and I never said anything. 
    I should have said something.
    
    SIMON
    Nah.
    
    C.J.
    What was your, um, what was your job right then?
    
    SIMON
    To take the shooters down.
    
    C.J.
    I guess I figured.
    
    SIMON
    I had a pretty good angle on the left. Which was Ray Beckwith.
    
    C.J.
    Which one was Beckwith? I get them mixed up.
    
    SIMON
    The 15-year old.
    
    C.J.
    Did you hit him?
    
    SIMON
    A lot of people shooting at him. Yeah I hit him. I know I did. I killed him. See? 
    And you said I can't be fun.
    
    C.J.
    I just like your smile is all. I wouldn't mind seeing it more.
    
    They lean in to kiss each other but stop.
    
    SIMON
    I can't.
    
    C.J.
    No, yeah, no...
    
    SIMON
    You know I can't.
    
    C.J.
    I was just, you're right, 'cause walking in these heels...
    
    SIMON
    Yeah.
    
    C.J.
    Aren't you supposed to be walking in front of me?
    
    SIMON
    In a crowded place, but...
    
    C.J.
    We feel free to take chances.
    
    SIMON
    I'll walk in front.
    
    C.J.
    Forget it, I'm home.
    
    SIMON
    Look...
    
    C.J.
    Can we drop it?
    
    SIMON
    Sure. I'd just like to say...
    
    C.J.
    I say can we drop it, you say sure and then we don't drop it.
    
    SIMON
    Okay.
    
    PAM THAYER
    This is Thayer, four past midnight. I've got Flamingo from Donavon.
    
    SIMON
    All right, take it easy Pam.
    
    PAM
    Goodnight, boss. [to C.J.] Ready?
    
    C.J.
    Yes.
    
    CUT TO: INT. WLC BUILDING - NIGHT
    Josh is waiting downstairs as Amy and a few colleagues walk down.
    
    JOSH
    It's got to costing you an awful lot of PAC money.
    
    AMY
    You didn't want to come up?
    
    JOSH
    It's after midnight; they wouldn't let me up.
    
    AMY
    We were working late.
    
    JOSH
    Yes, you are. You know for every vote on the left you grab, I got to get one on the right. 
    You know what that does to the bill?
    
    AMY
    Yeah, so we've been phone-banking the Bible Belt telling them how weak the abstinence 
    provisions are. 
    
    JOSH
    I've seen you level hotel ballrooms screaming about how ridiculous abstinence is.
    
    AMY
    I don't want to sleep with these guys, I just want there vote.
    
    JOSH
    Amy, when these things are over and we win, you know who's job it is to pay a visit to 
    the people who weren't with us?
    
    AMY
    What happened?
    
    JOSH
    Nothing.
    
    AMY
    You just threatened me, honey. What happened?
    
    JOSH
    I'm saying that just 'cause you have Sherry Lansing's platinum card doesn't mean you 
    go toe-to toe with the people...
    
    AMY
    Josh.
    
    JOSH
    ...who are writing the federal budget when they need you.
    
    AMY
    You going to put the women's movement out of business?
    
    JOSH
    There's a bigger picture. There's an election in November and you are a player in a 
    political party.
    
    AMY
    If you win by selling out the party who cares who wins? "Jed Bartlet: Not quite as 
    mean-spirited as the other guy." Doesn't really send me running to my polling place.
    
    JOSH
    All right.
    
    AMY
    Are you coming over?
    
    JOSH
    I have to go back to the office. [starts to leave]
    
    AMY 
    [louder, after him] We ought to be able to talk about this.
    
    JOSH
    Yeah.
    
    CUT TO: INT. THE OVAL OFFICE - NIGHT
    Leo walks in.
    
    LEO
    Mr. President.
    
    BARTLET
    What are you doing here? It's 1:00 in the morning.
    
    LEO
    I called over to the residence. They said you were in the office.
    
    BARTLET
    You were home?
    
    LEO
    Yeah. By the way, I signed off on canceling the trip. I signed off on setting their vote.
    
    BARTLET
    You came over here to stand in front of Josh?
    
    LEO
    No. It's almost 8:00 AM in Qumar. You shouldn't cancel the trip. You should tell me to call 
    the State Department.
    
    BARTLET
    Why?
    
    LEO
    What are the alternatives?
    
    BARTLET
    What are you...
    
    LEO
    What are the alternatives? Are we going to attack Qumar?
    
    BARTLET
    Maybe.
    
    LEO
    Now? We could kill all the armed teenagers we want, we still won't have Shareef. Let's 
    get some more intelligence, let's some more counsel.
    
    BARTLET
    More counsel is going to help me violate international law.
    
    LEO
    It's pretty easy to say this is a war scenario.
    
    BARTLET
    It's pretty easy to say anything is a war scenario.
    
    LEO
    This is...
    
    BARTLET
    The war on poverty. It's a slippery slope.
    
    LEO
    Stop it.
    
    BARTLET
    What?
    
    LEO
    Just stop it already. This is the most horrifying part of your liberalism. You think 
    there are moral absolutes.
    
    BARTLET
    There are moral absolutes.
    
    LEO
    Apparently not. He's killed innocent people. He'll kill more, so we have to end him. 
    The village idiot comes to that conclusion before the Nobel Laureate.
    
    BARTLET
    Il Principe has justified every act of oppression...
    
    LEO
    This is justified. This is required.
    
    BARTLET
    Says who?
    
    LEO
    Says me, Mr. President. You want to go ask some more people, they'll say so, too.
    
    BARTLET
    Well, a mob mentality is just...
    
    LEO
    Not a mob. Just you. Right now. This decision. Which by the way is one of self-defense. 
    Let Shareef come here and we have options. Cancel the trip and we have none. That's all 
    we're talking about right now.
    
    BARTLET
    There are moral absolutes. Make the call.
    
    LEO
    Thank you, Mr. President. 
    
    DISSOLVE TO: END TITLES.
    FADE TO BLACK.
    THE END
    * * *
    
    The West Wing and all its characters are a property of Aaron Sorkin, John Wells 
    Production, Warner Brothers Television and NBC. No copyright infringement is intended. 
    
    Episode 3.20 -- "We Killed Yamamoto" 
    Original Airdate: May 15, 2002, 9:00 PM EST 
    
    Transcript by: Irene and the Vault
    October 8, 2002
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